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THE TWO DEATHS OF DANIEL HAYES

Far-fetched.

Has Daniel Hayes killed his wife? The question torments the amnesia victim who’s the protagonist of this fifth suspense novel from Sakey (The Blade Itself, 2007, etc.). 

A naked man is crawling out of the icy ocean and up the deserted beach. He has no idea where he is or what happened. Then he spots a parked car, a silver BMW. There’s a recently fired Glock inside and an owner’s manual belonging to Daniel Hayes of Malibu; the name triggers no memories. He finds a motel and learns he’s in Maine. More questions. Why is he compelled to watch a cable show with pretty actresses? And why is a cop banging on his door? There’s nothing wrong with Daniel’s reflexes: In seconds he’s behind the wheel and out of there. It’s a gripping enough start. Daniel steals new plates and returns to Malibu. He learns he’s a screenwriter, married to one of those actresses, Laney Thayer, who died when her car was forced off the road. Daniel is a murder suspect. We meet other characters. Sophie, Daniel’s agent, is being threatened by an intruder called Bennett, who has questions about Daniel and a necklace. Bennett is the sketchily characterized heavy, a Mr. Cool, blackmailer par excellence. A taut scene between Daniel and Laney’s co-star ends with an enraged Daniel attacking him; could that same rage have led him to kill Lacey? Sakey lets the question hang, effectively. Elsewhere he is less convincing. Daniel is still driving his BMW with the stolen plates; the cops, after an unbelievably amateurish stakeout of Daniel’s house, pretty much disappear. A shocking plot twist at the heart of the novel further undermines credibility. It’s part of a one-two punch, the second punch only landing at the end. Dead bodies pile up; so do the improbabilities. It doesn’t help that this hard-boiled crime fiction has a disconcertingly soft center, typified by the Forrest Gump-like mantra, “Life is a raindrop.”

Far-fetched. 

Pub Date: June 9, 2011

ISBN: 978-0-525-95211-4

Page Count: 352

Publisher: Dutton

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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