by Marcus Sedgwick ‧ RELEASE DATE: Jan. 14, 2025
Gently spooky suspense grounded in social themes that will engage reluctant readers.
An atmospheric, supernatural story of family ties and familial trials set in the north of England.
Though his family’s visit to the Yorkshire Dales revolves around spreading his recently deceased grandmother’s ashes, James finds himself caught up in the mysteries of Crackpot, his father’s ancestral village, whose name in Norse means “cave of the ravens.” Tired of lagging behind his parents and engaging in unending conflict with his older brother, Robbie, James sets off on his own, chasing a ghostly wild child along the paths. Although his mother has seen ghosts, the experience is new for James. Later, James is haunted by the strange girl; he dreams of her and obsesses over the question she asked him: “Do you know who you are?” He feels ever more curious to discover who she is and what she knows about the place that’s crucial to his father’s ancestry. As James’ father deals with angry outbursts, his mother strains to find the inspiration to write again, a calling that once defined her. Centered on a family that reads white, this exploration of family history and financial challenges connects past and present socio-economic matters in an intriguing tale of class struggle that’s interwoven with what lies beyond the grave. A strong sense of place anchors the imagery, unraveling a timeless ghost story that will appeal to budding fans of otherworldly tales.
Gently spooky suspense grounded in social themes that will engage reluctant readers. (Paranormal. 12-18)Pub Date: Jan. 14, 2025
ISBN: 9781454958574
Page Count: 120
Publisher: Union Square & Co.
Review Posted Online: Oct. 11, 2024
Kirkus Reviews Issue: Nov. 15, 2024
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by Marcus Sedgwick & Julian Sedgwick ; illustrated by Alexis Deacon
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by Marcus Sedgwick ; illustrated by Thomas Taylor
by Tomi Oyemakinde ‧ RELEASE DATE: Sept. 26, 2023
A descriptive and atmospheric paranormal social thriller that could be a bit tighter.
After a Nigerian British girl goes off to an exclusive boarding school that seems to prey on less-privileged students, she discovers there might be some truth behind an urban legend.
Ife Adebola joins the Urban Achievers scholarship program at pricey, high-pressure Nithercott School, arriving shortly after a student called Leon mysteriously disappeared. Gossip says he’s a victim of the glowing-eyed Changing Man who targets the lonely, leaving them changed. Ife doesn’t believe in the myth, but amid the stresses of Nithercott’s competitive, privileged, majority-white environment, where she is constantly reminded of her state school background, she does miss her friends and family. When Malika, a fellow Black scholarship student, disappears and then returns, acting strangely devoid of personality, Ife worries the Changing Man is real—and that she’s next. Ife joins forces with classmate Bijal and Benny, Leon’s younger brother, to uncover the truth about who the Changing Man is and what he wants. Culminating in a detailed, gory, and extended climactic battle, this verbose thriller tempts readers with a nefarious mystery involving racial and class-based violence but never quite lives up to its potential and peters out thematically by its explosive finale. However, this debut offers highly visually evocative and eerie descriptions of characters and events and will appeal to fans of creature horror, social commentary, and dark academia.
A descriptive and atmospheric paranormal social thriller that could be a bit tighter. (Thriller. 14-18)Pub Date: Sept. 26, 2023
ISBN: 9781250868138
Page Count: 384
Publisher: Feiwel & Friends
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
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by Kerri Maniscalco ‧ RELEASE DATE: Sept. 20, 2016
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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