A good conversation starter for use with children who share Chloe’s privilege.
A young girl named Chloe learns that, sometimes, it’s more important to be kind than to be correct.
The book opens to loosely drawn children of various ethnicities casually sitting around a long cafeteria table. Pale-skinned, carrot-topped Adrian Simcox sits far to the right, staring off into space. Text set above him declares: “Adrian Simcox sits all by himself, probably daydreaming again.” The next spread—parents and children waiting for a school bus—shows the white narrator looking irritated as she witnesses Adrian telling “anyone who will listen that he has a horse.” Chloe has used logic to figure out that Adrian is lying, and the text pulls no punches as she rattles off some of the ways she can tell Adrian could never afford to own a horse, including “the free lunch at school” and holes in his shoes. Chloe notices that Adrian looks sad after she finally accuses him to his face of lying, but it is her mother’s ingenious use of showing—not telling—that brings Chloe to a new level of understanding. The tale is poignant and at times slightly humorous as well as frankly didactic. The art is an excellent complement, adding such dimensions as Chloe’s mother fixing a bike; contrasts between Chloe’s and Adrian’s respective school desks and neighborhoods; brushy foliage that repeatedly reveals Adrian’s imaginary horse.
A good conversation starter for use with children who share Chloe’s privilege. (Picture book. 4-7)Pub Date: Aug. 14, 2018
ISBN: 978-0-7352-3037-8
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 22, 2018
Kirkus Reviews Issue: June 15, 2018
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
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