A new Dermansky novel is like a holiday declared out of the blue.
A single mom and her 8-year-old daughter spend a weekend with the super-rich.
When Joannie’s neighbor Johnny asks her out, and she says she doesn’t have a babysitter, he tells her to bring Lucy to watch movies with his son, Tyson, in the basement. “He promised a nice meal, and Joannie loved free dinners. Nothing, of course, could ever happen between them because of their names. Joannie and Johnny.” Anyone who’s already read Dermansky will recognize these deadpan sentences. And, of course, something is going to happen on the very next page, actually—a billionaire couple celebrating their anniversary with a hot air balloon ride crash-lands in Johnny’s swimming pool, the wife screaming “I will kill you, if we don’t die!” Meet Jonathan and Julia Foster, a famous tech CEO and his philanthropist wife. Soon, Joannie and Julia are drinking fancy wine out of the bottle by the side of the pool and Johnny is inviting everyone for a sleepover. And the surprises just keep coming, many of them created simply by switching points of view, which Dermansky does every few pages, including not just these four but also Joannie’s daughter, Lucy, and the Fosters’ personal assistant, Vivian, an erstwhile Vietnamese orphan and 24-year-old aspiring writer. Vivian is a genius character, but honestly, they all are, and their inner monologues prove once again that Dermansky knows just how awful people really are inside, and can make it very, very funny. You might find yourself trying to put this book down so it won’t be over too soon. And when it is, you might start it all over again to see how the heck she did it. Has any writer made so much happen in just over 200 pages?
A new Dermansky novel is like a holiday declared out of the blue.Pub Date: March 18, 2025
ISBN: 9780593320907
Page Count: 208
Publisher: Knopf
Review Posted Online: Nov. 23, 2024
Kirkus Reviews Issue: Jan. 1, 2025
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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