by Marek van der Jagt & translated by Todd Armstrong ‧ RELEASE DATE: Nov. 1, 2004
Van der Jagt looses the spirit of J.P. Donleavy—and more—once again upon the world. Wonderful.
Vienna’s van der Jagt (a.k.a. Arnon Grunberg, Blue Mondays, 1996, etc.) spins the classic coming-of-ager and sets the table on a roar.
Our narrator and life-explorer here is the 15-year-old Viennese boy named—amazing coincidence!—Marek van der Jagt. Or at least he’s 15 when many of the adventures befall him that he herein regales us with: the night with two girls from Luxembourg, for example, when Marek suffers the humiliation of first and fully recognizing his “handicap” (“I have the penis of a dwarf,” he announces soon after at the family dinner table, in one of many genuinely riotous moments). Marek, it seems, is in search of “l’amour fou”—even though he’s not quite certain what it is. L’amour fou doesn’t seem a compulsion for his two older brothers, both on their way to stolidity and wealth (though one does faint all the time), nor for his life-insurance-salesman father, either, a man of truly dour resignation who devotes Sundays to scraping the calluses on his feet. No, l’amour fou must come from Marek’s mother—ah, yes! of course! his beautiful mother, the misnamed Constance, who has slept (and sleeps) with most of the men of Vienna, treats her lovers with casual scorn one moment and with the giving of the gift of gifts the next, slips out of the house at whatever hour she chooses, dressed however she likes—while dour husband Ferdinand dourly counsels his sons not to notice. Van der Jagt’s dysfunctional family may be the most wondrous and most marvelously entertaining in recent memory—and one of the saddest, in its way. After all, his extraordinary, mad mother dies when Marek is just 18, under circumstances that might darken the vision of any young man, let alone that of the sensitive Marek, who, it seems, turns to the study of philosophy, though not quite leaving life behind.
Van der Jagt looses the spirit of J.P. Donleavy—and more—once again upon the world. Wonderful.Pub Date: Nov. 1, 2004
ISBN: 1-59051-122-0
Page Count: 280
Publisher: Other Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2004
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by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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