A gripping novel about the intersection of art and crime.
An art student is drawn into a dark world of crime in Philbrick’s thriller.
At the heart of this narrative is the great artist Caravaggio—the novel concerns the breadth of his work, in particular 1609’s “The Adoration of Shepherds with Saint Lawrence and Saint Francis,” which was stolen from the Oratorio della Compagnia di San Lorenzo in Palermo in 1969. Philbrick sets her novel in the 1960s and introduces readers to Orazio Bordoni, an art aficionado who moves to Rome and (at first) dismisses his new landlady’s warnings about the criminal element hanging out in the public square. In Rome, he meets Lena Condotti and quickly falls in love with her; he also encounters Don Giotto, a charismatic scion of the Sicilian Mafia who also excites a strong emotional reaction (“Something about him challenged me,” Orazio confesses) as he introduces Orazio to a world of crime and violence. The persistent surprise of this novel is its explicit depiction of evil—not only Caravaggio’s deeds, as chronicled in the story’s frequent Renaissance flashbacks, but also the hard, violent demimonde to which Orazio is introduced by Don Giotto. The author’s skill at drawing her characters is impressive; even the supporting players (especially Vincenzo, a curator of the Vatican’s Secret Archives, who believes his document work brings glory to God) feel entirely fleshed out. The main narrative is organized around an allegory of the New Testament parable of the Prodigal Son, but the story Philbrick tells is much more nuanced and moving than any simple moral lesson, and the characters she creates here are all memorable. By the time a heartbroken Orazio wonders if he can graft himself back to the Bordoni vine, readers will be eagerly asking the same question.
A gripping novel about the intersection of art and crime.Pub Date: June 11, 2024
ISBN: 9781649606921
Page Count: 340
Publisher: Emerald House Group, Inc.
Review Posted Online: Sept. 27, 2024
Kirkus Reviews Issue: Nov. 15, 2024
Review Program: Kirkus Indie
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.
A successful Vermont podcaster who’s elicited confessions from dozens of criminals finds herself on the other side of the table, in the hottest of hot seats, over her own troubled past.
Poe Webb was only 13 when she saw her mother, Margaret McMillian, get stabbed to death by the man she’d picked up for a quickie. Poe had vowed revenge, but how could a kid find and avenge herself on a stranger who’d vanished as quickly as he appeared? In the long years since then, Poe’s made a name for herself as a top true-crime podcaster who routinely invites her guests to tell her audience exactly what they did. Now, she’s being pressed, and pressed hard, by Ian Hindley, whose fake name echoes those of England’s Moors Murderers, to join him in a livestream her fans will find riveting because, as Hindley tells her, he’s actually Leopold Hutchins, the pickup who stabbed her mother 14 times when she failed to use her safe word. Skeptical? Hindley knows endless details about the killing that were never released by the police. If Poe won’t do the broadcast, Hindley threatens to harm everyone she loves: her father; her producer and lover, Kip Nguyen; and her black Lab, Bailey. And there’s one more complication that makes the pressure on Poe even more unbearable. Seven years ago, against all odds, she succeeded in tracking Leopold Hutchins from Burlington to New York and killing him herself. In fact, it’s that murder that Hindley most wants her to talk about. Which bully is more fearsome, the man who’s threatening her or the man she killed?
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.Pub Date: Jan. 14, 2025
ISBN: 9781464226229
Page Count: 448
Publisher: Poisoned Pen
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
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