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SECOND WORDS

SELECTED CRITICAL PROSE

Canadian novelist/poet Atwood makes no large claims for the reviews and talks collected in this bulky volume. She declares that these pieces were often unwelcome assignments, that they were painful to do, that she usually acknowledged them only with embarrassment. And though this semi-disavowal has charm, the fact is that Atwood's modesty seems well-placed: few of these entries have much substance, Early on in this 1960-1982 gathering, indeed, Atwood sounds little more confident than a book-report writer. ("Reeve's book is probably the best and most comprehensive study of Blok written in English. Despite its occasional murkiness, it is stimulating reading for anyone concerned with the history of modern poetry.") Later, her opinions do grow sharper—though they're generally heavily dependent on pigeon-holing: in a collection dominated by Canadian book-world concerns, Atwood spends much of her time contrasting Canadian literary/social categories with American or English ones. Moreover, throughout the talks and addresses here, she frequently repeats herself—explaining again and again why she holds certain views (the literary-figure-as.personality) instead of developing those viewpoints in more depth. And only in three longer, more fully-worked out essays—on H. Rider Haggard, Canadian poet Al Purdy, and problems of the contemporary novel—does Atwood emerge as a full-fledged critic. In sum: a generous yet lightweight assemblage, with little interest to those not specializing in Canadian literature.

Pub Date: Feb. 1, 1983

ISBN: 0887846548

Page Count: -

Publisher: Beacon Press

Review Posted Online: Sept. 16, 2011

Kirkus Reviews Issue: Feb. 1, 1983

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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