by Margaret MacMillan ‧ RELEASE DATE: July 7, 2009
A wide-ranging and provocative testament to transparency as the best historical education.
MacMillan (History/Oxford Univ.; Nixon and Mao: The Week That Changed the World, 2007, etc.) explores the nuances, manipulations and extortions of history.
For centuries, the recording of past events has been distorted for a wide variety of reasons—to induce nationalism, lay claim to land, protect reputations or strengthen a political argument. In this lucid text, MacMillan deftly maneuvers through time, citing conflicts of identity and belonging in the Middle East—where “ideologies call on history…but in their hands the past becomes a prophecy”—alongside analysis of China’s Mao and his attempts to rewrite his country’s past, destroying “all memories and all artifacts that, by reminding the Chinese people of the past, might prevent him from remodeling them” into his Communist regime. The author also disputes memory of or participation in an event as “proof” of a historical account, writing that many major events—the days leading up to Pearl Harbor, the fall of Napoleon, the Cuban Missile Crisis—contain narratives colored by unreliable spectators. Psychologists point out that memory—even of something recent—is hardly concrete. This fallibility, combined with the opportunity for control, has resulted in myriad written texts that are of questionable accuracy. “The past,” writes the author, “can be used for almost anything you want to do in the present.” Political and religious leaders are also loathe to record their histories as marred by “evil,” and instead highlight often selective, exaggerated positive perspectives of violent historic events—such as Bastille Day or Columbus Day—to draw tourists and increase national pride. MacMillan is careful to defend history and its objective chroniclers as a necessary, and often precise, science. However, when power and control are introduced, the truth is often left wanting and “bad histories” emerge, which “belong to morality plays but do not help us to consider the past in all its complexity.” Examining history honestly is also crucial to the pursuit of peace and, the author sagely notes, the only way to teach “humility, skepticism, and awareness of ourselves.”
A wide-ranging and provocative testament to transparency as the best historical education.Pub Date: July 7, 2009
ISBN: 978-0-679-64358-6
Page Count: 208
Publisher: Modern Library
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 15, 2009
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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