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EVERY FATHER'S DAUGHTER

TWENTY-FIVE WOMEN WRITERS REMEMBER THEIR FATHERS

Consistently elucidating portraits.

A collection of essays on the father-daughter dynamic.

Editor and novelist McMullan (Literature and Writing/Univ. of Evansville; Sources of Light, 2010, etc.) presents 24 ways of “knowing” one’s father by accomplished, independent daughters, each with a folksy introduction to help situate the relationship in place and time. For many of these authors, the father was a tall, handsome, impossibly romantic character in the family, removed from the quotidian, often remote, and whose approval the daughters tried to maintain. In a twist on this theme, Jane Smiley writes how ultimately relieved she was not to know her father—who perhaps suffered from PTSD and divorced her mother when the author was a toddler—because his absence allowed her the space to grow up “free of preconceptions.” Some of the contributors offer reminiscences following their fathers’ deaths—e.g., Jill McCorkle in “My Dad.” In “My Father’s Daughter,” Bliss Broyard fills in a deeper portrait of her philandering, brilliant, bookish father by talking to his lively, lifelong best friends in Greenwich Village, concluding ruefully that she should have paid more attention to her father when he was alive. Melora Wolff offers an excellent view of the glamorous world of visiting fathers from the first-person, plural view of young ladies at New York City’s Brearley School, while Barbara Shoup describes her father’s vanishing into alcoholism in her excruciating essay “Waiting for My Father.” Throughout, fathers often represent the world of work, whether in the “special places” like the gambling house that Maxine Hong Kingston describes in “The American Father” or the sacred writing den that was strictly off limits to boisterous children, as depicted in Alexandra Styron’s “Reading My Father.” Other contributors include Jayne Anne Phillips, Antonya Nelson, Ann Mason and Alice Munro, and Phillip Lopate provides the introduction.

Consistently elucidating portraits.

Pub Date: April 9, 2015

ISBN: 978-1-62054-013-8

Page Count: 300

Publisher: McPherson & Company

Review Posted Online: Jan. 17, 2015

Kirkus Reviews Issue: Feb. 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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