This third collaboration between author and illustrator (Conejito, 2006, and Go to Sleep, Gecko!, 2007) derives from Micronesia, specifically the Marshall Islands. Little Sandpiper and great Whale have a surf war over territory. Each claims there is more of their kind; Whale calls forth his whale brothers and Sandpiper calls her sisters. More birds or more whales? Impossible to tell, so they next call for their cousins. Whale has an idea: If the whales eat up all the land, there will be no place for the birds to perch. Sandpiper has an idea: If the birds drink up all the sea, there will be no water for the whales. But, drying up the sea will also dry up the birds’ food source, so they spit back the water and the whales spit back the island; the bragging contest ends in sharing “surf and turf.” The telling is rich with a storyteller’s voice and sound effects, while Valério’s bright blues and yellows span the spreads with broad, brush strokes that mirror the setting of this symbiotic, ecology folktale. (source notes) (Picture book/folktale. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-87483-889-3
Page Count: 32
Publisher: August House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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