A welcome escape from the hectic world.
Serene reflections on the changes of the seasons.
In her third book of essays, following Late Migrations and Graceland, At Last, Renkl turns her attention to her own backyard. In 52 chapters, she contemplates the changes that take place in the wild over the course of the four seasons. Although she views her life as a “linear narrative,” she experiences the natural world as a “repeating pattern.” Rather than writing about a single year, Renkl gathers bits from across several years, and offers insightful observations related to those repetitions. By immersing herself in the natural world, the author maintains that she is able to cope with the toxic politics of today’s world—not to hide, but to achieve balance. Particularly during the early days of the pandemic, she found that while TV news was “full of terror,” the trees were “full of music” from blue jays, chickadees, and redbirds. One polarizing topic that Renkl cannot avoid by a trip outdoors is climate change. Throughout, she discusses the shifts she witnessed in nature as a result, including the reduction in the bee population. This is one reason she does not use poisonous chemicals on her lawn and prefers planting wildflowers to maintaining a manicured landscape. “I can’t change Americans’ love affair with poison, and I can’t solve the problems of climate change,” she writes, “but I can plant a garden.” Among the touching and relatable moments that nature lovers will appreciate are Renkl’s memories of catching tadpoles in spring with her brother as a child in Alabama, the sound of summer thunderstorms and cicadas, and the unparalleled beauty of autumn light, “the loveliest light there is.” Despite the death that comes with winter, which she once considered her least favorite season, she finds comfort that there “will always be a resurrection.”
A welcome escape from the hectic world.Pub Date: Oct. 24, 2023
ISBN: 9781954118461
Page Count: 288
Publisher: Spiegel & Grau
Review Posted Online: July 21, 2023
Kirkus Reviews Issue: Aug. 15, 2023
PERSPECTIVES
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
An engrossing and ominous chronicle, told by a master of the form.
Documenting perilous times.
In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”
An engrossing and ominous chronicle, told by a master of the form.Pub Date: Oct. 15, 2024
ISBN: 9781668052273
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: Oct. 15, 2024
Kirkus Reviews Issue: Dec. 15, 2024
IN THE NEWS
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