STEALING

A young Cherokee girl in the 1950s American South narrates the events resulting in her placement in a residential school.

Karen “Kit” Crockett is just a girl, but she’s already experienced more loss than most. Her mother, who was Cherokee, died of tuberculosis, leaving Kit alone at the age of 6 with her White father. Shortly after, Kit’s Uncle Joe (her mother’s brother) is killed in a knife fight. It’s Joe’s loss and the vacancy of the home he lived in just down the rural road from Kit that lead to the first good thing in Kit’s life since her mother died. A woman in her late 20s moves into Joe’s cabin, and she and Kit strike up a friendship. Bella is not like anyone Kit’s met before. A divorcée, Bella lives alone but has multiple male friends who come and go. She is by turns effusive and anxious, though Kit is honored by Bella’s attention and sometimes clingy in her need of her company. But some locals’ dislike of Bella confuses Kit, and it isn’t until a shocking crime occurs that Kit can see the true costs of not fitting in—for her and Bella both. Kit is a loquacious narrator who weaves back and forth between the lead-up and aftermath of the crime and her present life at the residential school she was sent to. Her plucky tone can seem at odds with the dark tale, and though it’s perhaps true to the nature of a child storyteller, it can be distracting when Kit repeats herself or meanders in the narrative. (She devotes a great deal of time to details of fishing expeditions, for example.) Nevertheless, Verble tells a memorable and sobering story about injustice, hypocrisy, and resilience.

Verble upholds her legacy of indelible Cherokee characters—and weaves a dynamic mystery, too.