Despite these minor quibbles, a new edition of any of Brown’s work is a gift worth celebrating.
Brown’s Nativity story, first published in 1952, is updated with new art from the illustrator of the popular Llama Llama series.
The poetic, simple text follows Joseph and Mary as they are shown into the barn, where the animals wait. After the baby is born, the shepherds and wise men arrive, and an overhead perspective shows the whole cast of characters surrounding the newborn, “all safe and warm.” Dewdney’s striking, mixed-media paintings have a loose, post-impressionistic flavor, with some areas showing her brush strokes or the texture of the canvas surface. She employs a variety of perspectives and sometimes shows characters as dark, incomplete silhouettes. The faces of the animal characters have the most personality, while the faces of the humans are less distinct and sometimes even blurry. Two of the wise men have dark skin; the other people have light skin. Brown’s short, rhyming text is accessible and satisfying, with clever inclusions of well-known phrases from traditional Christmas carols, and her characteristic mastery of rhyme, rhythm, and repetition is on full display. Not all of her word pairs are exact rhymes, but they work nonetheless. One page includes the rhyming word pair grass/ass, which may require some explanation, as well as the unfamiliar word “kine,” an archaic plural for cows.
Despite these minor quibbles, a new edition of any of Brown’s work is a gift worth celebrating. (Picture book/religion. 2-6)Pub Date: Sept. 20, 2016
ISBN: 978-0-06-237986-3
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 16, 2016
Kirkus Reviews Issue: Sept. 1, 2016
Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own...
The sturdy Little Blue Truck is back for his third adventure, this time delivering Christmas trees to his band of animal pals.
The truck is decked out for the season with a Christmas wreath that suggests a nose between headlights acting as eyeballs. Little Blue loads up with trees at Toad’s Trees, where five trees are marked with numbered tags. These five trees are counted and arithmetically manipulated in various ways throughout the rhyming story as they are dropped off one by one to Little Blue’s friends. The final tree is reserved for the truck’s own use at his garage home, where he is welcomed back by the tree salestoad in a neatly circular fashion. The last tree is already decorated, and Little Blue gets a surprise along with readers, as tiny lights embedded in the illustrations sparkle for a few seconds when the last page is turned. Though it’s a gimmick, it’s a pleasant surprise, and it fits with the retro atmosphere of the snowy country scenes. The short, rhyming text is accented with colored highlights, red for the animal sounds and bright green for the numerical words in the Christmas-tree countdown.
Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own tree that will put a twinkle in a toddler’s eyes. (Picture book. 2-5)Pub Date: Sept. 23, 2014
ISBN: 978-0-544-32041-3
Page Count: 24
Publisher: HMH Books
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A forgettable effort that fails to capture any of the magical charm of Santa’s story. (Picture book. 3-6)
Wallace and Elkerton continue their series about catching elusive mythical creatures (How to Catch a Leprechaun, 2016, etc.) with this Christmas story about an elf who must avoid traps constructed by children before Santa’s annual visit.
The unnamed elf narrator is the sole helper traveling with Santa on his delivery rounds on Christmas Eve, with each house featuring a different type of trap for elves. The spunky elf avoids a mechanical “elf snatcher,” hidden in a plate of cookies, as well as simple traps made of tinsel, double-sided tape, and a cardboard box concealing a mean-looking cat. Another trap looks like a bomb hidden in a box of candy, and a complicated trap in a maze has an evil cowboy clown with a branding iron, leading to the elf’s cry, “Hey, you zapped my tushy!” The bomb trap and the branding iron seem to push the envelope of child-made inventions. The final trap is located in a family grocery store that’s booby-trapped with a “Dinner Cannon” shooting out food, including a final pizza that the elf and Santa share. The singsong, rhyming text has a forced cheeriness, full of golly-jolly-holly Christmas spirit and too many exclamation marks, as well as rhyming word pairs that miss the mark. (No, little elf-boy, “smarter” and “harder” do not rhyme.) Bold, busy illustrations in a cartoon style have a cheeky appeal with a focus on the freckle-faced white elf with auburn curls and a costume with a retro vibe. (Santa is also white.)
A forgettable effort that fails to capture any of the magical charm of Santa’s story. (Picture book. 3-6)Pub Date: Oct. 4, 2016
ISBN: 978-1-4926-4631-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Oct. 11, 2016
BOOK REVIEW
BOOK REVIEW
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