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ROBIN’S ROOM

Name: ROBIN’S ROOM
Author: Margaret Wise Brown
ISBN: 0-7868-0602-8

by Margaret Wise Brown & illustrated by Steve Johnson & Lou Fancher ‧ RELEASE DATE: May 1, 2001

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A timeless tale of creativity unfurled. While this posthumous publication was written decades ago, it is unerringly relevant to today’s child. Robin’s parents are aghast at his rampant mischief-making; he commandeers the cat’s toys, turns the tub into a garden, and paints wherever he chooses. At wit’s end, his exasperated parents decide to give him his own room, which he promptly redecorates. “A child’s room made by a child,” marvels his mother, awestruck. What Robin unveils is a child’s delight, catering to every conceivable creative outlet. However, Robin’s pièce de résistance is the massive clock on his wall, tracking his busy day with one key element missing. “From four o-clock to suppertime he painted a space. That was when he could do whatever he wanted to do all by himself alone in his room.” Did this wise author foresee the modern-day dilemma of overscheduled children? Brown’s offbeat tale of an eccentric, precocious child hones in on an essential issue: the need for some unstructured time, a time of freedom, to let imagination roam unfettered and to flourish. It is, however, the art that really makes this special. A perfect complement, the boldly colored illustrations, off-kiltered perspectives, and truly unique layout—which has readers turning the book upside-down to continue—are all a keen reflection of Robin’s individuality and creativity. Filled with incredible options, this can’t help but inspire young decorators who’ve outgrown the “great green room.” (Picture book. 4-8)

Pub Date: May 1, 2001

ISBN: 0-7868-0602-8

Page Count: 40

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2002

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
TWO LITTLE TRAINS
by Margaret Wise Brown ; illustrated by Greg Pizzoli

- BOOK REVIEW
A HOME IN THE BARN
by Margaret Wise Brown ; illustrated by Jerry Pinkney

- BOOK REVIEW
GOOD DAY, GOOD NIGHT
by Margaret Wise Brown ; illustrated by Loren Long

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A DOG NAMED SAM

by Janice Boland & illustrated by G. Brian Karas ‧ RELEASE DATE: April 1, 1996

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A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)

Pub Date: April 1, 1996

ISBN: 0-8037-1530-7

Page Count: 40

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1996

Categories:

CHILDREN'S GENERAL CHILDREN'S

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HOME

by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015

Visually accomplished but marred by stereotypical cultural depictions.

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Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”

Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.

Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)