by Margaret Wise Brown & illustrated by Steve Johnson & Lou Fancher ‧ RELEASE DATE: May 1, 2001
A timeless tale of creativity unfurled. While this posthumous publication was written decades ago, it is unerringly relevant to today’s child. Robin’s parents are aghast at his rampant mischief-making; he commandeers the cat’s toys, turns the tub into a garden, and paints wherever he chooses. At wit’s end, his exasperated parents decide to give him his own room, which he promptly redecorates. “A child’s room made by a child,” marvels his mother, awestruck. What Robin unveils is a child’s delight, catering to every conceivable creative outlet. However, Robin’s pièce de résistance is the massive clock on his wall, tracking his busy day with one key element missing. “From four o-clock to suppertime he painted a space. That was when he could do whatever he wanted to do all by himself alone in his room.” Did this wise author foresee the modern-day dilemma of overscheduled children? Brown’s offbeat tale of an eccentric, precocious child hones in on an essential issue: the need for some unstructured time, a time of freedom, to let imagination roam unfettered and to flourish. It is, however, the art that really makes this special. A perfect complement, the boldly colored illustrations, off-kiltered perspectives, and truly unique layout—which has readers turning the book upside-down to continue—are all a keen reflection of Robin’s individuality and creativity. Filled with incredible options, this can’t help but inspire young decorators who’ve outgrown the “great green room.” (Picture book. 4-8)
Pub Date: May 1, 2001
ISBN: 0-7868-0602-8
Page Count: 40
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2002
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by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Katie Weaver ‧ RELEASE DATE: July 16, 2024
This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.
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In Weaver’s charming picture book, a dog reassesses his not-so-glowing review of little kids.
“Families are OVERRATED!” as far as the bluish-gray hound named Dog is concerned. While he approves of the adults in the household, the four small children are for the birds. In an attempt to resolve his conflicted feelings, Dog pours his heart out to a therapist scribbling on a notepad. Dog lists his grievances via couplet rhymes: “And many times I’ve found their dirty toys INSIDE MY BOWL! / It’s obvious these little humans have no SELF-CONTROL!” With key words highlighted in colorful and bolded fonts for more emphasis, his voice now has added urgency. Soylu’s lively drawings in muted tones are wondrously effective in animating Dog; his hanging jowls, big eyes, and floppy ears all convey believably beleaguered expressions. Lifelike details enhance the dramatic effect of the children’s boisterous antics. At the end, Weaver provides a list of do’s and don’ts for interacting with pets. Dog lovers can identify the dog breed silhouettes on the endpapers. Kids will get a kick out of Dog’s opinion of humans and perhaps recognize some behaviors to reconsider.
This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.Pub Date: July 16, 2024
ISBN: 9781736267370
Page Count: 40
Publisher: A Little Offbeat Publishing
Review Posted Online: April 26, 2024
Kirkus Reviews Issue: June 15, 2024
Review Program: Kirkus Indie
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