THE DIGGERS

For those unfamiliar with Brown's 1960 work, illustrated by Clement Hurd originally and welcomed in these pages, it is a book in verse—half of it rhymed, half not—about digging. The first pages, devoted to animal and human diggers, are written in a simple, repetitive style, like children's counting games. The text then shifts into a more elevated mode, as an unstoppable steam shovel moves from city to country and through a mountain, building a railroad. This steam shovel is the hero of the story, and the moral is: There's nothing it can't do. Both the industrial theme and its heroic overtones ("And then came the big digger made by a man...") are reminiscent of socialist realism. Kirk's oil illustrations, in perfect balance with the text, follow a parallel development, beginning with close-ups of toy-like animals, and moving to anonymous workers in sweeping landscapes. These landscapes—multi-colored and painstakingly detailed—take in an enormous amount of geography in the background, while the steam shovel or the train in the foreground reach gigantic proportions. However, their epic breadth—of man's building abilities and the unlimited possibilities of the future—has a distinctive softness, both in the shapes and colors used. It is technology with a human face in this utterly modern revisitation of a classic—even as it blithely bypasses ecological concerns. (Picture book. 3-6)