From the veteran Piercy (He, She, and It, 1991, etc.): an old- fashioned heartwarmer with a feminist agenda and a leavening of schmaltz that'll get the hankies out for a sentimental cry along the way. Set in Boston and environs, the story begins in late October as three disparate women whose longings for the ordinary (decent homes, faithful husbands, better lives) have been thwarted by men each confront an approaching crisis. Leila Landsman, who writes about abused women, fears that her long marriage to theater director Nick is again in trouble; Mary Burke, a former suburban matron turned homeless housecleaner, worries about surviving the winter; and Becky Burgess, daughter of a poor fisherman, is in prison awaiting trial for the murder of her husband. In turns, the women recall their pasts as they deal with the present. Leila, realizing that philandering Nick will never change, prepares for divorce. She has also agreed to write a book about Becky's upcoming trial—which leads us to Becky and nice young Sam, her reluctant partner in crime. Sam's uncle Zak, initially hostile to Leila, soon becomes her lover; he is also a veterinarian, useful for kind Leila's coterie of stray cats. Ambitious Becky, who worked and schemed to improve her life, married Terry because he seemed to have everything she wanted—until he lost his job and found another woman. A fighter to the end, though found guilty, she plans her escape. And Mary, who cleans Leila's house and is the least convincing of the trio, remembers how her life was destroyed when her husband left her; she's injured in a fire, then is saved by Leila, who sends her to live with sister Debbie in sunny California. Leila, though now living alone, rejoices: ``at last I am my own woman.'' Despite some unnecessary speechifying on the big issues: a gripping and affecting story, dominated by Becky, a real original. (First printing of 75,000)
Pub Date: March 1, 1994
ISBN: 0-449-90907-7
Page Count: 464
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1993
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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