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THE LONGINGS OF WOMEN

From the veteran Piercy (He, She, and It, 1991, etc.): an old- fashioned heartwarmer with a feminist agenda and a leavening of schmaltz that'll get the hankies out for a sentimental cry along the way. Set in Boston and environs, the story begins in late October as three disparate women whose longings for the ordinary (decent homes, faithful husbands, better lives) have been thwarted by men each confront an approaching crisis. Leila Landsman, who writes about abused women, fears that her long marriage to theater director Nick is again in trouble; Mary Burke, a former suburban matron turned homeless housecleaner, worries about surviving the winter; and Becky Burgess, daughter of a poor fisherman, is in prison awaiting trial for the murder of her husband. In turns, the women recall their pasts as they deal with the present. Leila, realizing that philandering Nick will never change, prepares for divorce. She has also agreed to write a book about Becky's upcoming trial—which leads us to Becky and nice young Sam, her reluctant partner in crime. Sam's uncle Zak, initially hostile to Leila, soon becomes her lover; he is also a veterinarian, useful for kind Leila's coterie of stray cats. Ambitious Becky, who worked and schemed to improve her life, married Terry because he seemed to have everything she wanted—until he lost his job and found another woman. A fighter to the end, though found guilty, she plans her escape. And Mary, who cleans Leila's house and is the least convincing of the trio, remembers how her life was destroyed when her husband left her; she's injured in a fire, then is saved by Leila, who sends her to live with sister Debbie in sunny California. Leila, though now living alone, rejoices: ``at last I am my own woman.'' Despite some unnecessary speechifying on the big issues: a gripping and affecting story, dominated by Becky, a real original. (First printing of 75,000)

Pub Date: March 1, 1994

ISBN: 0-449-90907-7

Page Count: 464

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1993

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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