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THREE WOMEN

Three generations, three strong wills, and the never-resolved conflicts within a family are the bedrock of this latest from the wide-ranging Piercy (Storm Tide, 1998, etc.). The women of the title, reunited by unfortunate circumstances, have to struggle through physical and emotional impediments to reach an understanding, and with it an uneasy peace. In the eye of this familial tempest stands Suzanne, a successful appeals-court attorney and law professor, enjoying midlife solitude in suburban Boston, complete with a harmless online romance, after raising two daughters largely by herself. The first winds of change blow back into Suzanne’s life her beautiful but unsettled child Elena, in her late 20s and freshly jobless and homeless, still reeling from an adolescence marred by tragedy. Scarcely has Elena settled in when Beverly, Suzanne’s labor-organizer mother, who heaped scorn on her daughter’s lifestyle and choice of profession, has a stroke that overnight turns her from an energetic, free-thinking woman proud of her looks and her life on Manhattan’s Upper West Side, into a speechless cripple. Suzanne brings Beverly home to live with them, and tries to juggle work, family, and the intense pleasure of a new physical relationship with her online partner, Jake. But Elena’s way of settling in is to start an ill-fated affair with the husband of Suzanne’s best friend, with whom they share the house, and when the transgressors are discovered in the act, the ensuing rage of emotions brings on Beverly’s second stroke. As Suzanne watches helplessly while her savings are converted to convalescent care, Beverly, convinced she won't recover, makes increasing demands on daughter and granddaughter to help her to die. While the tempestuous turns occasionally prove excessive, the tangled relationships here are credible to the core, with the voices of the older generations being especially poignant.

Pub Date: Oct. 1, 1999

ISBN: 0-688-17106-0

Page Count: 256

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1999

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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THE VEGETARIAN

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.

Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

Pub Date: Feb. 2, 2016

ISBN: 978-0-553-44818-4

Page Count: 192

Publisher: Hogarth

Review Posted Online: Oct. 19, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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