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BUNNY ROMERO'S WHITE HOUSE ADVENTURE

THE WHOLE MEGILLAH!

Funny, warm, and unreflective of the current White House.

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In this rhyming, illustrated children’s book, a young girl goes to the White House for a field trip and makes an unscheduled visit to the kitchen.

Second-grader Bunny Romero, a recent immigrant to the United States from Mexico, is enjoying her grandmother’s Purim gifts of cookies and a book about the White House when she makes a vow: “Someday, I’m going to eat Nana’s hamantashen in the kitchen of this magnificent place!” Maybe then, she reflects, she’ll finally feel at home in America. Six months later, her teacher announces a class trip to the White House, which delights Bunny. She shows her younger brother a plan of the building, announcing that “the kitchen’s / The best of the bunch / ’Cause that’s where I’ll nosh on / My hamantash lunch!” On the school trip, there’s plenty to see, including the Blue, Green, and Red rooms. But the kitchen isn’t on the tour, so when it’s time to depart, Bunny decides to go off and find it for herself. A commotion ensues as everyone looks for the missing girl, who finds the kitchen and keeps her vow. She also trades some hamantashen for the White House chef’s apple pie and then meets a woman who turns out to be the president of the United States. The backmatter includes a blank “Dream Diary,” historical facts, and a recipe for hamantashen. Alongside the story of a girl’s bold adventure, Blumberg (Avram’s Gift, 2017, etc.) manages to emphasize the important role of immigrants in the United States’ history, writing in an introduction: “As the granddaughter of immigrants who adopted America as their home, I hope that people will always be welcomed and protected here.” The charming, full-color illustrations by Andriani (No Naptime for Janie!, 2017, etc.) underline this theme, showing diverse characters among the schoolchildren and White House dinner guests. A spirit of fun pervades the text and the pictures—in the latter, kids can, for example, look for symbols of Purim and Thanksgiving. There are gloomy stories that could be told about immigration, but celebration is the dominant mood in this book.

Funny, warm, and unreflective of the current White House.

Pub Date: Sept. 20, 2018

ISBN: 978-0-9994463-2-4

Page Count: 57

Publisher: MB Publishing

Review Posted Online: Aug. 7, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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