GOOD AS GOLDIE

Palatini’s (Ding Dong Ding Dong, 1999) hilarious tale offers readers a kid’s-eye view of sibling relationships. Tots with younger siblings will find a soul mate in the irrepressible Goldie, smug, sassy, and ever so superior. With the insouciant confidence of youth, Goldie catalogs the vast differences between herself and her baby brother, Nicholas, highlighting her own many accomplishments. “I’m BIG” becomes her mantra and rallying cry. Poor baby Nicholas cannot get dressed, read a book, color, or even swing by himself. Of course, Goldie declares, in inimitable toddler fashion, that she can do all these things exceedingly well. Palatini’s somewhat haphazard sketches are the perfect medium to convey the chaotic ambiance of a preschooler and baby combo. Full-color vignettes provide an ironic counterpart to the text, so while Goldie is espousing her superiority, the reader sees the reality of the situation. So, for example, when Goldie complains about Nicholas’s messy eating habits, the very funny picture reveals Goldie’s own spilled milk, stained tablecloth, and smeared face. However, the two find common ground in that classic childhood pastime—sucking their thumbs—and it’s clear that they are a pair. Palatini’s engagingly witty tale reflects a keen understanding of sibling rivalry. She addresses a sensitive subject for young children, deftly using humor to lighten the mood with her signature flair for the comical and giving readers a protagonist with whom they can identify. (Picture book. 2-5)