Despite repetitive language, this anthology will appeal to fans of women’s short-form confessional nonfiction.
Women writers present vastly varying perspectives and journeys of the meaning, cost, and fulfillment of their wishes.
Kahn and McMasters, editors of This Is the Place, take a similar tack in this second compendium of personal essays. Their introduction lays out their sincere yet sappy aims—e.g., “to create a space for women to interrogate and luxuriate in their desire.” The editors cast a notably wide net, although several essays would have benefitted from tighter editing. While the majority of pieces are engaging, frequent unoriginal word choices wear thin—desire appears nearly 250 times. The contributors explore myriad topics related to wanting objects (a $500 pair of cowboy boots, a dildo) in addition to experiences, which run the gamut from criminal to spiritual but are predominantly sexual. Tracing longings to their roots, many of the essayists deploy powerful metaphors that possess the capacity to connect women to themselves. The cowboy boots, for example, signify far more than footwear. “The opposite of a cowboy is an Indian woman,” writes Rena Priest. “I exist in the aftermath and ruin wrought by cowboys….I desire the power available to the self-assured cowboys of the American West.” In a stunning consideration of the enjoyment she takes in being sexually degraded by her White husband, Keyanah B. Nurse both implicates and empowers herself: “I center my own pleasure.” Long stymied by self-doubt, Domenica Ruta acknowledges craving “that feeling of control I first discovered in my abortion…the knowledge that my body would do exactly what I wanted it to do.” In an excellent study of Thomas Merton’s thorny relationship with his yearnings, Amanda Petrusich writes, “It’s a brutal cycle—we want things, we get things, we want more things, we get them, we want more.” By turns piercing and bloated, the book’s core magnetism lies in its breadth of voices and their respective depths. Other contributors include Larissa Pham, Karen Russell, Lisa Taddeo, Camille Dungy, and Melissa Febos.
Despite repetitive language, this anthology will appeal to fans of women’s short-form confessional nonfiction.Pub Date: Feb. 14, 2023
ISBN: 9781646220113
Page Count: 352
Publisher: Catapult
Review Posted Online: Nov. 28, 2022
Kirkus Reviews Issue: Dec. 15, 2022
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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