Uncharacteristically dark, yet more evidence of Livesey’s formidable gifts.
Another probing study of the way character shapes our destinies from the author of The Flight of Gemma Hardy (2012), etc.
It’s perhaps a bit much to make Donald an optometrist, given that he confesses shortly after disclosing his occupation that he failed to see wife Viv’s obsession with a horse named Mercury until it was much too late. But Livesey, a Scottish transplant whose brilliant novels are underknown in her adopted country, rings so many dazzling changes on the subjects of eyesight, hindsight, and blinkered sight that she may be forgiven the whiff of contrivance in her setup. Donald’s personality is utterly credible: cautious, precise, Scottish-ly phlegmatic yet roiled by deep feelings of loss. They go back to boyhood, when his family’s move from Edinburgh to Boston cost Donald his best friend, and have been elevated to devastating levels by the recent death of his father after a long siege of Parkinson’s disease. The intensity of Donald’s attachment to his father is palpable but never really explained; Livesey has a healthy respect for the mysteries of the human heart. Viv, who narrates the novel’s middle section, is rendered with somewhat less nuance: her lifelong need to be the best, focused on riding in adolescence and only temporarily derailed to a career in mutual funds, re-emerges with a scary edge when Mercury arrives at the stable she now runs with her best friend, Claudia. It’s hard to be entirely sympathetic when she tells Donald (accurately), “Since your dad died you’ve been MIA,” as we see Viv driven into secrecy and lies by her hysterical need to make Mercury a champion and herself a star. But Donald also keeps secrets, one of which contributes to a ghastly act of misdirected violence that leads to a dance of regret, recrimination, and indecision bringing further losses for husband and wife. A sharply sketched supporting cast adds to the depth and cumulative power of this grimly great novel.
Uncharacteristically dark, yet more evidence of Livesey’s formidable gifts.Pub Date: Sept. 27, 2016
ISBN: 978-0-06-243750-1
Page Count: 336
Publisher: Harper/HarperCollins
Review Posted Online: May 16, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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