A Scottish farm girl finds love and heads for the big city.
Lizzie Craig has learned not to speak of the “pictures” that sometimes give her glimpses of the future. Her grandparents have enough to deal with struggling to make ends meet at Belhaven Farm in eastern Scotland, and they are the only family she knows; her parents were both dead by the time she was a year old, in 1874. When her sister becomes engaged to a young man willing to work on the farm, Lizzie feels free to think about moving to Glasgow; her oldest friend, Hugh, who left Belhaven to work in a sewing machine factory, has been urging her to change her life for years, but the real reason is Hugh’s friend Louis Hunter, a tailor’s apprentice she falls in love with. Livesey writes evocatively about Lizzie’s mingled panic and excitement upon encountering Glasgow’s urban possibilities, and tenderly about her first experiences of sexual desire. It’s a nice touch, belying stereotypes about late-Victorian society, that no one other than her grandfather is especially shocked when Lizzie becomes pregnant. But Louis has years left in his apprenticeship and feels they can’t yet marry; the novel’s second half follows Lizzie as she struggles to care for infant Barbara back home on the farm while holding Louis’ possibly wandering affections in Glasgow. There’s nothing really new in this tale of a young woman slowly coming to terms with the conflicts between her responsibilities to those around her and to herself, but Livesey’s admirers will recognize the gentle compassion with which she limns all her characters, even those like Louis who don’t necessarily behave well. Lizzie’s second sight prompts a plot development that brings her odyssey to an interim conclusion, with some painful losses but also important satisfactions and new possibilities ahead.
A quietly unconventional coming-of-age tale with engaging characters embedded in an absorbing story.