A simmering, wide-ranging collection of informative nonfiction.
Richards collects short essays from Muslims across the planet in this anthology of creative nonfiction.
What is often described as the Muslim world is, of course, many worlds. The fact that many Americans view such a large section of the globe as a single entity has led to a great deal of misunderstanding. “I was consumed by the fact that so many Westerners are entirely unaware of the breadth of cultural differences coming from Muslim worlds,” writes Richards of her decision to begin this project back in 2015. Since then, she has assembled the voices of 41 writers from various Muslim communities—Sri Lanka, Yemen, Andalucía, Nigeria, Illinois—to speak to these individual human experiences. One contributor recounts how, anonymous in her niqab, she ran into her estranged father in a restaurant in Durban, South Africa, and was unsure whether she should approach him. A journalist writes about her childhood on the Philippine island of Sulu prior to the separatist uprising that turned the place into a war zone. American writer Noreen Moustafa remembers her childhood summers in Alexandria, Egypt, and laments how much the city’s seaside has changed in recent years. “At least they didn’t take the sea away,” Moustafa quips, displaying an anguish that characterizes much of this collection and its recurring aches of immigration, war, loss, and grief. As Duaa Randhawa notes in an essay about her grandfather’s garden in Pakistan, “eventually, with the seasons, and despite the feeling of betrayal, we too fall into the rhythm of orbital resonance. Degrees obtained, cities changed, love fallen into and out of; after all the wear and tear of the heart, it still goes on.” It’s an unusual book in that it’s so thematically flexible—it proves Richards’ point about the diversity of the Muslim experience by interpreting even the adjective “Muslim” quite loosely. The writing is so strong, however, and takes readers into such far-flung corners of the world, that it can’t help but surprise and delight.
A simmering, wide-ranging collection of informative nonfiction.Pub Date: June 28, 2024
ISBN: 9798989298402
Page Count: 568
Publisher: Leave It Better Books
Review Posted Online: July 22, 2024
Kirkus Reviews Issue: Sept. 15, 2024
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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