by Mari K. Eder ‧ RELEASE DATE: Aug. 3, 2021
Inspiring stories of women warriors who deserve greater attention.
A chronicle of a group of courageous women whose contributions to World War II “put comic book heroines to shame.”
“The story of the war will never be fully or fairly written if the achievement of women in it are untold,” writes Eder, a retired Army major general, in the introduction to this enthusiastic collection of their exploits. Most did not seek fame and were not “trailblazers by choice,” but readers will share the author’s outrage upon learning that many were deliberately written out of history and treated badly even as they served. When the Air Force began accepting women for flight training in 1976, it announced proudly that this was the first time it had permitted women to fly; angry Women Airforce Service Pilot veterans pointed out the error. These included Ola Mildred Rexroat, who joined in 1944, trained, and flew for the Air Force within the U.S. Like all WASPs, she was denied military status, paid less than male pilots, and ineligible for veteran’s benefits until 1977. Perhaps Eder’s most famous character, Virginia Hall, risked her life in Nazi-occupied Europe, first for Britain’s Secret Operations Executive, and then the U.S. Office of Strategic Services, despite being easily identifiable because of her limp. Alice Marble, the world’s amateur tennis champion, was shot while carrying out a successful espionage operation in Switzerland. Throughout the war, nurses played an essential role, and Katherine Nolan’s experiences in a field hospital make gripping reading. Other important women assembled the first computers that cracked complex Axis codes (see Liza Mundy’s Code Girls), drew essential maps, or risked and often lost their lives in the resistance. Several of Eder’s women simply survived imprisonment or concentration camps, no mean feat. The author fills her accounts with invented dialogue and novelistic thoughts, but her subjects worked hard, often behaving heroically and suffering for it, so that’s a minor quibble.
Inspiring stories of women warriors who deserve greater attention.Pub Date: Aug. 3, 2021
ISBN: 978-1-72823-092-4
Page Count: 400
Publisher: Sourcebooks
Review Posted Online: June 1, 2021
Kirkus Reviews Issue: June 15, 2021
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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