An indispensable journalist presents an impassioned, well-informed warning about vital global issues.
A Filipino journalist who won the 2021 Nobel Peace Prize describes her ongoing fight against political corruption and online disinformation.
For years, Ressa has been a brave and consistent critic of technology’s increasing power in affecting people’s behavior, and she and the news site she co-founded in 2012, Rappler, have been consistently targeted by the regimes of Rodrigo Duterte and his successor, Ferdinand Marcos Jr. Like Russian journalist Dimitry Muratov, with whom she shared the Nobel, the author has battled the information warfare tactics of dictators and remains under constant threat of harassment and arrest. In this engaging work, Ressa shares the story of her life and career, beginning with her immigration to the U.S. from the Philippines in 1973, when she was 10. Her early years in the U.S., she writes, were defined by three lessons: Always choose to learn, embrace your fear, and stand up to bullies. These lessons would follow her into a successful career as a journalist—first at CNN, where she served as the bureau chief in Manila and then Jakarta, followed by a role heading the news division at the Philippines network ABS-CBN. When she resigned over an ethics issue in 2010, she and some journalist friends began work on Rappler, with the intention of injecting the positive elements of social media into old-fashioned journalism. Increasingly, however, evenhanded journalists—who once served as reliable “gatekeepers of facts and information”—were being pushed aside by unscrupulous tech companies and manipulated by populist politicians like Duterte and Trump via bots, fake accounts, and disinformation campaigns. These nefarious tactics led to the author’s profound disillusionment with Facebook, in particular, which she now calls “one of the gravest threats to democracies around the world.” Her courageous work has garnered well-deserved international attention, and her book serves as a readable, urgent plea for journalistic integrity, vigilance, and transparency. Amal Clooney, who serves as one of Ressa’s attorneys, provides the foreword.
An indispensable journalist presents an impassioned, well-informed warning about vital global issues.Pub Date: Nov. 29, 2022
ISBN: 978-0-06-325751-1
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 9, 2022
Kirkus Reviews Issue: Oct. 1, 2022
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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