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THIS ONE IS MINE

Clearly smart and talented, Semple never satisfactorily accomplishes the difficult task of balancing nasty comedy and...

Former television comedy writer Semple offers a semi-satirical, funny-sad romance about a spoiled Hollywood wife, a former television writer, who considers risking all for a wholly inappropriate affair with a sleazy musician.

Violet is the bored, inattentive mother of one-year-old Dot and the unhappy wife to exacting music impresario David when she and bass player Teddy meet cute in a men’s room. Setting aside his greasy hair and coarse conversation, Teddy’s a junkie in AA and a self-described sex addict. Violet, who lives her life according to Stephen Sondheim lyrics, is charmed despite her revulsion. Not only does she pay to have Teddy’s car repaired, soon she is sending Dot to the babysitter and David to a yoga retreat so she and Teddy can have (graphically) dirty sex in her multimillion-dollar Richard Neutra house on Mulholland Drive. David, a self-made man who can be a son of a bitch but who genuinely loves his wife, realizes Violet is cheating and works through his anger in the yoga sweat lodge until he decides to love the marriage back together. Self-absorbed Violet is torn and distracted, but aside from when Dot sustains a minor injury due to maternal negligence, her melodrama is internal. On the other hand, Teddy has actual problems, including Hepatitis C and a lack of disposable income, not to mention that taste for drugs. His feelings for Violet remain ambiguous until he shows emotional courage as his physical strength ebbs. A subplot concerns David’s mercenary and unbelievably dense sister who marries for money and fame, only to learn that her new hubby has (horrors!) Asperger’s syndrome. Her questionable character is supposedly excused by her trauma as a diabetic, and she experiences spiritual redemption after contracting Hep-C: In an unhappy coincidence at her wedding she injects her Humalog with the same needle Teddy has used to shoot up.

Clearly smart and talented, Semple never satisfactorily accomplishes the difficult task of balancing nasty comedy and romantic uplift.

Pub Date: Dec. 4, 2008

ISBN: 978-0-316-03116-5

Page Count: 320

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2008

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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