This author is on her way to becoming a national treasure.
A day in the life of an enchanting and gifted woman who is almost too frazzled to go on.
The women on the verge of a nervous breakdown, the mad housewives, and the Annie Halls can welcome a new member to their club: Eleanor Flood, the narrator of Semple’s (Where’d You Go Bernadette, 2012, etc.) second sendup of Seattle and its denizens. Eleanor, formerly a New Yorker and the animator of a popular cartoon about four girls in “ '60’s style pinafores” misdirecting “their unconscious fear of puberty into a random hatred of hippies, owners of pure-bred dogs and babies named Steve,” lives in Seattle with her sweet Seahawks doctor husband and her precocious, makeup-wearing third-grade son. Timby goes to Galer Street School, an ultra–PC environ familiar to Bernadette fans, where Eleanor imagines his arrival was greeted with delighted cries of “Eureka! We’ve got a transgender!” This book is so packed with interesting characters and situations, it could have been three times as long. You want more New Orleans Garden District (where Eleanor’s sister has been kidnapped by an effete Mardi Gras krewe captain), more New York animation studio, more poignant childhood stories (dead actress mother and alcoholic father, illustrated in a beautiful color insert), more annotated poems ("Skunk Hour," by Robert Lowell). Only one thing you don’t want more of—a weird plotline about husband Joe’s secret life. As Eleanor tells Timby when they visit a public art installation, “I don’t mean to ruin the ending for you, sweet child, but life is one long headwind. To make any kind of impact requires self-will bordering on madness. The world will be hostile, it will be suspicious of your intent, it will misinterpret you, it will pack you with doubt, it will flatter you into self-sabotage—My God, I’m making it sound so glamorous and personal! What the world is, more than anything? It’s indifferent.” Ah, Eleanor. You could have stopped at glamorous and personal. Because few will be indifferent to this achingly funny and very dear book.
This author is on her way to becoming a national treasure.Pub Date: Oct. 4, 2016
ISBN: 9780316403436
Page Count: 336
Publisher: Little, Brown
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
BOOK REVIEW
BOOK REVIEW
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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