Next book

ENCHANTED HUNTERS

THE POWER OF STORIES IN CHILDHOOD

Despite the jargon and occasional stuffiness, a cheering paean to children and reading.

An academic-popular hybrid seeks to redeem children passionate about reading from the derogative label of bookworm.

The act of reading is an active rather than a passive experience, avers Tatar (Germanic Languages and Literature/Harvard Univ.; The Annotated Classic Fairy Tales, 2002, etc.). She adopts a personal tone in this exploration of children’s interaction with their literature, introducing in a disarming fashion her bedtime reading with her offspring before launching into a brief history of children’s literature followed by closer readings of several sacred childhood texts. Pulling her examples from both popular sources (she spends a lot of time with E.T.) and academic (Walter Benjamin figures prominently), as well as the recollections of her students, the author argues that a child reading is every bit as fervently engaged as a child at play. The best children’s literature, she continues, is designed to feed into and play off their need for wonder and adventure. Works covered include such venerable favorites as Alice in Wonderland and The Secret Garden but also roam forward in time to survey the contributions of Norton Juster, Philip Pullman and Dr. Seuss—indeed, the most piercing and sprightly observations come from Tatar’s reading of The Cat in the Hat. Despite attempts to keep the tone conversational, the author’s academic roots show: Words like transgressive and anomie rear their ugly heads, and at times the text feels like a digest of university lectures. Still, Tatar’s genuine fondness for her subject is palpable. “We can all remember the jolts and shimmer of books we read as children,” she writes. “That is why we revisit them as adults raising or educating children.” And “Souvenirs of Reading,” a collection of excerpts from writers’ recollections their childhood favorites, is easily one of the most endearing appendices ever affixed to a semi-scholarly work.

Despite the jargon and occasional stuffiness, a cheering paean to children and reading.

Pub Date: April 1, 2009

ISBN: 978-0-393-06601-2

Page Count: 320

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2009

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview