The very best in chick-lit.
Keyes’s proven formula for success—a chatty, engaging heroine, a bawdy sense of humor, an unhappy turn of events—works again in her eighth novel (The Other Side of the Story, 2004, etc.).
Three of the five Irish Walsh girls have novels of their own, and now it’s time for Anna’s story. The first 100 pages build up a mystery of sorts: Anna lies dazed in the front parlor of her parent’s Dublin home as her mother nurses her back to health. On her daily walk, the local schoolboys call her Frankenstein, and for good reason. With deep cuts and bandages on her face, fingers without nails, an arm cast and a limp, Anna has never looked less stylish (except when she wore all those hippie skirts). There are flashbacks to her recent life in New York, where she has The Best Job in the World in cosmetics public relations, and a hunky, adorable husband, Aidan. So what happened to Anna, and where’s Aidan in her time of need? Against everyone’s pleading, Anna returns to New York, and we learn the tragic truth: Anna and Aidan were in a car accident in which Aidan died. Now, Anna rings his cell phone everyday to hear his voicemail, she e-mails him about work, she wails at night and can’t imagine life without him. Over 400 pages of a widow’s emotional recovery would be hard-going if not for Keyes’s humor and grand cast of characters with their own quirky subplots. Back in Dublin, baby sister Helen, an unlikely private investigator, keeps Anna updated on her current big case—tailing the local crime lords’ misses, while Mammy Walsh keeps Anna current on her own little mystery—an old lady regularly brings her dog to poo on the Walsh’s doorstep. And now, desperate to find out where Aidan is, Anna starts frequenting afterlife psychics, which introduces a whole new set of oddballs. Anna begins to crawl out of her sorrow, but Keyes is cautious with the expected happy ending—for all the comedy, she creates a vivid portrait of grief.
The very best in chick-lit.Pub Date: June 1, 2006
ISBN: 0-06-073130-3
Page Count: 464
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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