by Marian Keyes ‧ RELEASE DATE: Jan. 25, 2010
Trite, but Keyes’ lively wit makes it go down easily.
Latest doggedly life-affirming romance from the prolific Irish bestseller (This Charming Man, 2008, etc.), this one set in a Dublin apartment house.
A narrating “spirit” floats among the flats desperate to make sure that at least one romance among the tenants succeeds. Music publicist Katie is frustrated in her relationship with workaholic/chocoholic Conall, a genuine charmer even though he earns his fortune downsizing corporations. Lydia, a tough cookie of a cab driver, keeps falling into sex with her Polish flatmate, even though they hate each other. Octogenarian Jemima, who has psychic powers, is thrilled when her blazingly handsome foster son, small-town gardener Fionn, comes to stay while filming a TV series. Soon Katie has dumped Conall and taken up with Fionn, who has become a local star, while Conall has become Lydia’s unlikely boyfriend. As their comic banter flies, a darker, more poignant plot line follows Matt and Maeve, a young married couple troubled by a secret that threatens their genuine devotion. Thanks to the sporadically all-knowing spirit, readers gradually learn the tenants’ back stories, from Lydia’s struggle to care for her increasingly demented mother to the violence perpetuated against Maeve by her former boyfriend, a political activist who gets his just reward in an act of supernatural vengeance. (It’s interesting, albeit disquieting, that Keyes’ one true villain is a leftist do-gooder, her ultimate hero a corporate downsizer.) The author endows her characters with small idiosyncrasies and imperfections that make them seem more fully developed than they actually are. The narrative is strictly formula: comedy, pathos and shallow spiritual uplift mixed with food and fashion. As partners mix and match, who will end up with whom is never truly in doubt, and the leisurely buildup climaxes in a strained ending with crises and happy resolutions rushing by.
Trite, but Keyes’ lively wit makes it go down easily.Pub Date: Jan. 25, 2010
ISBN: 978-0-670-02140-6
Page Count: 470
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
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by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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