A resonant tale of resilience, bravery, and the power of forgiveness.
In Thomas’ novel, a prominent author struggling with profound loss and heartbreak strives to rediscover herself.
In the 2010s, novelist Raine Reynolds has a successful writing career, a best friend from childhood as her publicist, a loving husband of 15 years, and a beautiful Atlanta home. She endures some emotional hardships, including the tragic loss of her father and infant daughter, her husband’s extended unemployment, and other challenges, but she perseveres. Then she receives life-altering news during a book tour that changes everything: Her husband has been murdered by his lover. Feeling unmoored, Raine seeks solace in Paris, which she’s visited before and sees as a sanctuary: “In Paris, I felt like I found my being. It felt so right to be there. I hated to come back. To be honest, I just wish I could have stayed. Maybe I should go back there.” Now, five years later, as a senior vice president for an advertising agency, Raine finds herself back in Atlanta to open a new office. When an old acquaintance comes back into her life, she’s forced to reconcile with the past and determine if she can indeed go home again. Thomas, the author of Someone Like Me (2021), delivers smooth, evocative storytelling, portraying the raw realities of challenging experiences while also capturing the healing power of love. Raine is a relatable character as she deals with real-world problems; her reactions, choices, and decisions feel genuine and rational, but not conservatively so. Although her five-year emotional recovery in Paris takes place off-page, its results are seamlessly woven into the later narrative. Some elements of this emotional novel feel familiar at times, but readers will feel moved and inspired to root for the protagonist’s success.
A resonant tale of resilience, bravery, and the power of forgiveness.Pub Date: April 16, 2024
ISBN: 9781732488083
Page Count: 294
Publisher: L.B Publishing
Review Posted Online: Feb. 1, 2024
Kirkus Reviews Issue: March 15, 2024
Review Program: Kirkus Indie
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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