Beautifully written, both sharp and bighearted, funny and true.
A juicy roman à clef sympathetically imagines two young women on opposite sides of an extramarital affair.
"It is 1978 and Mel is twenty-five years old"—and like her creator did at that time, she works at a magazine which seems to be Esquire for a jerk who seems to be Gordon Lish, who recklessly edits the stories of a man who seems to be Raymond Carver. Also like Thurm, Mel is about to have her own first story published in the New Yorker at the age of 25, and she will go on to write "stories mostly in the present tense, mostly about the infinite ways, large and small, in which her characters manage to disappoint one another"—a perfect description of the selection of Thurm's stories written between 1979 and 2021 and just published as Pleasure Palace. And after she endures the events that begin on April 14, 1980, when she finds an angry note from another woman in her husband's backpack, Mel knows that "she will, the instant she’s good and ready, write the only [novel] she’s certain she is capable of writing...she’s already confident of the title: The Blackmailer’s Guide to Love." It turned out to be Thurm's ninth novel, actually, and in addition to evoking the experience of the betrayed young writer, it also fully imagines that of her nemesis. The plight of Julia Myerson unfolds in chapters that alternate with Mel's. Abused as a child, divorced from an awful man, unable to make progress on her dissertation, Julia is cobbling together a living as a dog walker and a caregiver to an elderly couple. After her longtime therapist commits suicide by jumping off a bridge, she becomes the patient of Charlie Fleischer, a caring psychologist with a sweet face, a warm smile—and a wedding ring. "She’s not stupid: she’s fully aware that falling for your therapist is a 'thing,' that it’s something that happens all the time, every day of the week. But that doesn’t render what she feels for Charlie any less meaningful, any less potent, does it?"
Beautifully written, both sharp and bighearted, funny and true.Pub Date: May 25, 2021
ISBN: 978-1-953002-00-6
Page Count: 240
Publisher: Delphinium
Review Posted Online: May 18, 2021
Kirkus Reviews Issue: June 1, 2021
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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