by Marian Thurm ‧ RELEASE DATE: Oct. 1, 2015
Life really is this difficult and annoying; stories like these make it more bearable.
Eleven wry, elegant stories, à la Lorrie Moore and Amy Bloom, address the sometimes-brutal stupidities of modern life.
"Not to pat myself on the back or anything, but the fact is that when my ex-husband's hot young wife fell ill recently, I went over there the day Miranda was released from the hospital and cooked them an excellent dinner." "What Went On" is the first story in Thurm's (What's Come Over You?, 2001, etc.) long-awaited new collection, again chronicling the frustrations and heartbreaks of contemporary domestic arrangements with a brilliantly light touch. Thurm hits the funny/sad spot every time, whether the subject is bereavement, divorce, betrayal, or some other form of abandonment. Her protagonists must tolerate annoying intimates ranging from a grown child who won't read her mother's one published novel to a girlfriend who thinks the main problem at Auschwitz is that they charge extra for ketchup at the snack bar. The title story details the plight of a woman named Lauren who falls and shatters her kneecap while running for a cigarette immediately after having been informed by her fiance that he no longer loves her. Since he is such a fine, good-hearted person, he delays kicking her out of the apartment until after her recovery, a kindness that turns out to be a form of torture. The story's title refers to a slogan Lauren remembers seeing on a T-shirt in the subway: I CAN ONLY BE NICE TO ONE PERSON A DAY AND TODAY IS NOT YOUR DAY. This seems to express the worldview of not just the rude nurse's aide who dismisses Lauren's pain and leaves her sitting on a bedpan for 20 minutes, but of any number of the hilariously self-absorbed characters who elbow their ways through this charmingly sad book.
Life really is this difficult and annoying; stories like these make it more bearable.Pub Date: Oct. 1, 2015
ISBN: 978-0-9831505-5-8
Page Count: 203
Publisher: SixOneSeven Books
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: Aug. 1, 2015
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PERSPECTIVES
by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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