Fitting the words to music can be tricky; those who plan to sing this should practice first, but they will be rewarded by a...
From one manatee calf paddling in Florida’s St. Johns River to 10 otter pups sliding in the Mississippi, Berkes adapts the familiar counting rhyme to introduce river animals, their “baby” names, their actions and some U.S. geography.
Sixth in a series of predictable, successful titles based on “Over in the Meadow,” this one adds to the learning mix. Each spread includes the animal and its one to 10 young, shown in their environment; a hidden, additional animal; a map with the river labeled; a numeral; and one to 10 cattails as well as the appropriate verse. The final spread presents a large map of the United States with each river and its respective animal(s) labeled. Extensive backmatter includes an illustrator’s note describing Dubin’s research and methods for making her cut-paper collages, which are enhanced with pastels. As in other books in the series, the author’s note points out that while the actions and baby names are correct, these animals may live elsewhere as well, and they don’t necessarily bear that exact number of young. There is further information about the animals and rivers described, suggested activities, and a page with the song and chords.
Fitting the words to music can be tricky; those who plan to sing this should practice first, but they will be rewarded by a storytime audience filled with standing herons, waddling ducks, whirling dragonflies and squealing kits. (Informational picture book. 3-8)Pub Date: Sept. 1, 2013
ISBN: 978-1-58469-329-1
Page Count: 32
Publisher: Dawn Publications
Review Posted Online: July 30, 2013
Kirkus Reviews Issue: Aug. 15, 2013
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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