Swashbuckling time-travel plus soap-opera relationships make for a page-turning start to a promised trilogy. The mysterious death of Ethan’s older sister when he was only four left his family a wreck: his mother hospitalized with depression, his father an emotional automaton, and Ethan subject to horrific nightmares. But for Ethan, his real life for the past 12 years has been with the Guardians of Time, in their eternal battle to prevent the Order of Chaos from disrupting the proper workings of history. After he’s assigned to train his schoolmate, Isabel, as his first Apprentice, an ancient prophecy gives the pair only a few short weeks to thwart Chaos’s top general in his assaults against the past, before the unfolding of an even more terrifying destiny. Protecting the time stream is hardly an innovative concept in fantastic fiction, but Curley pulls it off with panache. While the various historical periods are only perfunctorily limned, the ritualistic panoply of the Guard itself begs for further exploration. Cocky, loyal Ethan and self-confident Isabel are likable enough, but the real hook for teen readers will be their romantic entanglements. Isabel hides her lifelong crush on Ethan, as her older brother, once his best friend, seethes over Ethan’s attraction to his girlfriend; meanwhile, an unlikely character recognizes in the oblivious Isabel his own destined soulmate. Anguished heartbreak and suppressed longing are bound to continue to spice up the history-hopping sword-and-sorcery, making the sequels an ongoing guilty pleasure. (Fantasy. 12+)
Pub Date: Oct. 1, 2002
ISBN: 1-58234-779-4
Page Count: 332
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
An entertaining and atmospheric, though sometimes clumsy, exploration of the true cost of beauty.
In this retelling of a classic, a drama student’s obsession with beauty leads her down a dark—and possibly deadly—path.
Eighteen-year-old Penny Paxton is beginning her first year at Dorian Drama Academy in Edinburgh, Scotland, where she hopes to follow in her starlet mother’s footsteps—and earn the love that her mother has never seemed to offer. At Dorian, Penny is mentored by Royal Shakespeare Company legend Orlagh Camran, who makes her the compelling offer of a portrait by the Masked Painter, a mysterious artist with the ability to gift his subjects everlasting youth and beauty. But shortly after Penny’s portrait is complete, several of the Masked Painter’s subjects are found murdered. Fearing that she’s made a terrible mistake and may become the next victim, Penny, who’s gay, begins to investigate the murders with the help of an unlikely ally. As she attempts to uncover the truth surrounding the Masked Painter and the murders, she’s forced to reckon with her own toxic obsession with beauty. This chilling, atmospheric novel, inspired by The Picture of Dorian Gray, is entertaining and full of twists, though some of the reveals feel contrived and some questions are left unanswered. The plot unravels at a leisurely pace but eventually builds to an action-packed (if somewhat convoluted) conclusion. Most characters are cued white.
An entertaining and atmospheric, though sometimes clumsy, exploration of the true cost of beauty. (content note, author’s note, bonus scene) (Fantasy thriller. 14-18)Pub Date: May 26, 2026
ISBN: 9781250346797
Page Count: 384
Publisher: Wednesday Books
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...
In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.
As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)Pub Date: April 1, 1993
ISBN: 978-0-395-64566-6
Page Count: 208
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
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