This majestic novel will satisfy those thirsting for an epic saga of love, family, and the complexities of the American way.
A sweeping, cinematic story of love and family set against the dramatic backdrop of World War II and the American West.
“You can’t save what you don’t love.” That’s the first sentence of Wiggins' new novel and a leitmotif throughout the book—a love story, in the classic sense, as well as a love letter to an American West celebrated by Hollywood even as it was sucked dry by the city of Los Angeles. It's also a lesson in how Wiggins’ languid, linguistically lush and lyrical novel, set in the aftermath of Pearl Harbor, found its way to completion. As the author’s daughter, photographer Lara Porzak, relays in an afterword, Wiggins was just a few chapters shy of completing the book when, in 2016, she suffered a massive stroke that affected her sequencing logic and short-term memory. Porzak worked from Wiggins’ notes and with a collaborator to help her mother complete the novel, saving it as a true labor of love. Given that painstaking process and the breathtaking beauty of the bulk of this novel, it would be ungrateful to gripe that the end doesn’t quite live up to the standard set by the previous chapters. To be sure, Wiggins set an extremely high bar. The book follows the experiences of several memorable characters, including Rockwell “Rocky” Rhodes, the scion of a wealthy East Coast railroad magnate, who has reinvented himself as a hardworking ranch man and impassioned preservationist; a Chicago-raised Jewish attorney named Schiff, who has been sent by the Department of the Interior to set up an internment camp for Japanese Americans in a desiccated former apple orchard adjacent to Rocky’s turf in Lone Pine, California; and Sunny, Rocky’s spirited daughter, a fiercely talented, mostly self-taught chef with whom Schiff falls in love. Wiggins’ interwoven plotlines—propelled here by romantic and there by familial love—and colorful characters are entrancing and as cinematic as the real-life Westerns that were filmed in the valley in which the book is primarily set. But what makes the novel soar is the way Wiggins can evoke landscapes both interior and exterior, especially the expansive valley that has come to exemplify America’s best qualities—and its worst.
This majestic novel will satisfy those thirsting for an epic saga of love, family, and the complexities of the American way.Pub Date: Aug. 2, 2022
ISBN: 978-1-4165-7126-1
Page Count: 544
Publisher: Simon & Schuster
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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BOOK REVIEW
SEEN & HEARD
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