Wise behavior seldom makes for electrifying fiction.
Dr. Rosalind Franklin, whose pivotal role in the discovery of DNA was overlooked, gets her due in Benedict’s scholarly novel.
The story begins in 1947, with Franklin’s Paris period. After the unwelcoming attitude of London’s scientific community, the atmosphere of the Paris lab is exhilarating for the 26-year-old chemist. There, her gender and bluntness are not held against her, and she fits right in with her fellow researchers. Her expertise in X-ray crystallography, a technique for documenting molecular structures, is honed while studying coal and carbons. But in 1951, a distracting obsession with her womanizing supervisor, Jacques Mering, whom she wisely rebuffs, drives her back to London and a fellowship at King’s College, where she deploys crystallography to map DNA molecules. Her path crosses those of other DNA sleuths, including her fractious colleague Maurice Wilkins and Francis Crick and James Watson, two Cambridge researchers who will later claim all the glory and the Nobel Prize. Though her minute detailing of Franklin’s experiments, not to mention the data-freighted dialogue, can be eye-glazing, Benedict’s conclusions are sound: Franklin is way ahead of the men in verifying the structure of DNA and its helix shape. But Franklin’s methodical habits in amassing data work against her in the race to take credit for her groundbreaking discoveries. The men, especially Wilkins, who undermines her at every turn, and Watson, who’s not above snooping in her workspace, don’t share Franklin’s qualms about publishing results based on incomplete research. After leaving what would now be described as the hostile work environment at King’s for Birkbeck College, Franklin’s work on RNA paves the way for antiviral vaccines. But the denouement drags as Benedict seems unsure whether her protagonist should bridle at her unfair treatment or simply move on, as the real Franklin seems to have done, leaving her scores to be settled by others, posthumously. The cancer that killed Franklin in 1958 may have been attributable to long-term exposure to X-rays—like many of her peers, she was cavalier about safety precautions.
Wise behavior seldom makes for electrifying fiction.Pub Date: Jan. 25, 2022
ISBN: 978-1-72822-939-3
Page Count: 304
Publisher: Sourcebooks Landmark
Review Posted Online: Nov. 15, 2021
Kirkus Reviews Issue: Dec. 1, 2021
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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