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THE NIGHT WALK

A gift—here night isn’t scary; the unknown is exhilarating and the ending sunny and clear.

Roused from sleep, two siblings head out into the night, walking in darkness with their parents to an undisclosed destination.

“Let’s go, so we get there on time,” their mother urges. The family walks enshrouded in blue night, through the “sleeping village,” past a big hotel lit up “like a chandelier,” into cow-dotted countryside, finally reaching thick woods. Watercolor-and–graphite pencil illustrations depict an enveloping nocturnal world through saturations of indigo. Young readers’ hearts will quicken, feeling embraced by night made real with breathtaking, full-bleed washes of blue that stretch across double-page spreads. This wondrous darkness gleams with reassuring lights (from lamps, windows, flashlights, glinting stars, a woozy moon) while meticulous pencil work provides specificity. A sweater’s cables claim readers’ attention, as do blades of grass, pine needles, fronds of fern, and a lacework of leaves in a magical night sky perforated by stars. Equally evocative sentences (in taut translations from French) appear in clear, white lettering, engaging the senses: “We threaded through the whispering forest. The earth was damp, the bark smelled comforting.” Keeping pace with this family, readers wonder where they’re headed and why they must start to hurry near the book’s conclusion. Urgency, exhilaration, and anticipation make the walk’s conclusion, a luminous, lemony daybreak, all the more powerful. All family members have pale skin and dark hair.

A gift—here night isn’t scary; the unknown is exhilarating and the ending sunny and clear. (Picture book. 4-10)

Pub Date: April 20, 2021

ISBN: 978-1-78250-639-3

Page Count: 32

Publisher: Floris

Review Posted Online: Feb. 8, 2021

Kirkus Reviews Issue: March 1, 2021

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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LITTLE MELBA AND HER BIG TROMBONE

Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)

Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.

Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.

Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)

Pub Date: July 1, 2014

ISBN: 978-1-60060-898-8

Page Count: 40

Publisher: Lee & Low Books

Review Posted Online: June 3, 2014

Kirkus Reviews Issue: June 15, 2014

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