A captivating collection of poetry about hearth and home.
A volume of poetry focuses on life in Scotland and Canada.
Groundwater was born in Orkney, one of Scotland’s many islands, but immigrated to Ontario as a child. There, her father struggled to support a large family. As an adult, following her father’s death, the author returned to her family’s homeland, once with her mother and another time with her daughter. This collection of poems begins with one such homecoming. Groundwater visits the room above the family bake shop where she was born, marvels at the Ring of Brodgar, and rides the Jacobite Steam Train. Harkening back to her youth in a rented cottage in Ontario, she describes the “smell of bleach on my mother’s kitchen hands / over ripe bananas, vinyl tablecloth / upstairs clean sheets spread / over mattresses stained with summer sweat / and we lay near naked in our beds / under the heat-baked beams.” The poet recalls her grandmother’s handkerchiefs, “fragrant with flowery scent,” and recounts the various pianos her father played during her childhood. “Geese Heard At Night,” a poem organized in V-formation, follows those “dark travellers / across a brimstone moon / phantoms flying / before / the shrouding snow.” The second section of the book takes place at the poet’s newly acquired country house in Essex, Ontario, where she is reminded of the pains and pleasures of rural life. Groundwater’s vivid language leaps off the page in lines like “it seemed the savage wind / could grasp the very mosses / from their crags / and fling them to the foam.” She deftly captures the “rugged beauty of the landscape” of both Scotland and Ontario, painting a clear and breathtaking portrait of her life. The poet’s love for her family is palpable. In “My Father,” she tenderly remembers her dad “smiling at me when I pushed / up under his paper / taking the pens from his pocket / so I could lean against his heart.” Only rarely does a line or an image feel recycled: “Firemen feed the firebox with coal, / the glowing cinder and flame heat / the belly of the boiler.”
A captivating collection of poetry about hearth and home.Pub Date: Feb. 17, 2023
ISBN: 978-1039116443
Page Count: 186
Publisher: FriesenPress
Review Posted Online: July 24, 2023
Kirkus Reviews Issue: Sept. 1, 2023
Review Program: Kirkus Indie
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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