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2 A.M. AT THE CAT'S PAJAMAS

While some will find this seasonal sweetness charming, others will find it maddeningly contrived.

Bertino, who won the Iowa Short Fiction Award for her collection Safe as Houses (2012), aims to pull heartstrings in her first novel, which is set in Philadelphia and follows a cast of cute/quirky characters hour by hour as their lives converge two days before Christmas.

Fifth-grader Madeleine Altimari is pretty much raising herself; her father has retreated into his bedroom in a drug-induced stupor to numb his grief since the death of Madeleine’s mother—a strip-club dancer and free spirit beloved by all who knew her. Madeleine is lonely, precocious and sassy, her tough exterior hiding her own heartache. Mrs. Santiago, the warmhearted widow who runs the neighborhood cafe, provides breakfast, lunch and grandmotherly affection, but Madeleine has no friends at her Catholic elementary school. Her solace is singing—she’s a natural who yearns to be a jazz singer. Madeleine’s day begins badly when Principal Randles, who resented Madeleine’s mother even when they were kids, first deprives Madeleine of a solo at the school’s morning Mass and later unfairly expels her. (A school in session on Dec. 23 and a principal expelling a child without some kind of parent meeting both hint at less-than-realistic storytelling.) Then Madeleine learns there's a jazz club in Philadelphia and decides to find it. Madeleine’s teacher, Sarina Greene, who also frequents Mrs. Santiago’s cafe, feels terrible about Madeleine’s expulsion, but what can she do? Besides, she’s coping with her own crisis: Having returned to Philly after a divorce, she's been invited to a dinner party with old friends, including a former boyfriend. Meanwhile, across town, the police warn Jack Lorca that he'll have to close his jazz club, The Cat’s Pajamas, if there are any more code violations. But he’s promised to let his musically talented, teenage (i.e. underage) son play in the house band tonight. As the hours pass, the various storylines thread together.

While some will find this seasonal sweetness charming, others will find it maddeningly contrived.

Pub Date: Aug. 5, 2014

ISBN: 978-0-8041-4023-2

Page Count: 272

Publisher: Crown

Review Posted Online: May 28, 2014

Kirkus Reviews Issue: June 15, 2014

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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