A vivid book about lives visited by violent strangeness but lived with authentic humor and hope.
One week before her wedding, The Bride is confronted in her Long Island hotel room by the spirit of her dead grandmother, embodied in the form of a parakeet, who begs her to reconnect with her estranged brother, a reclusive playwright who has made his career by staging the worst moment of The Bride’s own life.
The main character of this self-assured, strange, and winning book is a young woman in the final stages of preparing for her wedding to the groom, an elementary school principal whom she likes because he “doesn’t have to be drunk to dance.” However, as the wedding date approaches, The Bride’s psychological landscape becomes increasingly hazardous, and all her life’s certainties come under review. Following her grandmother’s avian visit, The Bride—who works as a biographer for people with traumatic brain injuries, helping them reconstruct their lives prior to their traumatizing events—travels back into the city to finalize her wedding plans, meet with her current client, pick up a new wedding dress (her original one has been liberally befouled by parakeet granny), and arrange a meeting with her brother, Tom, whose acclaimed play, Parakeet, is back on Broadway. The Bride lost contact with her brother over the course of the 10 years that have passed since their grandmother’s death and her own traumatizing event, a random act of violence that forms the central story of her brother’s play. When she finally does manage to hunt Tom down, she discovers that in those 10 years he has transitioned into Simone and must reenter her life, if she deigns to, as The Bride’s sister. From there—in the bright, prismatic, and fleeting language of the internet age—Bertino traces The Bride’s ping-pong journey in and out of the lives, and sometimes literally the bodies, of her frosty and judgmental mother; her professionally competent best friend; strangers who might be former lovers or alternate versions of herself; parakeet costumed performers who are being paid to reenact the Bride’s past, present, and potential future; and a Japanese lifestyle-blogging reptile in a suit and tie, to name a few of Bertino’s many memorable characters. The book’s linguistic pyrotechnics and the shimmering, miragelike nature of Bertino’s images demand a lot of the reader, but the relatability of The Bride’s honest and earnest attempts to do her best with the uncooperative life she has been given resonate on a deep, perhaps even universal, frequency.
A vivid book about lives visited by violent strangeness but lived with authentic humor and hope.Pub Date: June 2, 2020
ISBN: 978-0-374-22945-0
Page Count: 240
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
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