REAL EASY

It's 1999, and the case of one woman murdered and another kidnapped takes on nuance as the story is conveyed from the points of view of at least a dozen different voices.

Samantha's time is split between two worlds: There's her longtime job as a stripper at the Lovely Lady and her domestic life with boyfriend Nick and his daughter, Rosie, whom she longs to mother. Despite Nick’s objections, she finds something meaningful in her relationships with her fellow dancers and in the care of Dale, the Lovely Lady’s owner. She even becomes a mentor of sorts to Jolene, the newest dancer at the club, offering to drive the girl home one night when she turns up high. They never make it to their destination. Detective Victor Amador responds to the call of a car in a ditch and finds Jolene’s body; the girl has been strangled. Samantha is missing, apparently kidnapped. The rest of the novel follows this unfolding mystery, with every chapter told from a different character's point of view. Some characters, like dancers Samantha and Georgia as well as Victor and detective Holly Meylin, get multiple chapters, while others, like Nick and Rosie and the bouncer, Jimmy, get only one each, but the multiplicity of perspectives provides layers of narrative detail that lend complexity to this thriller. Rutkoski’s writing is lyrical, offering quiet metaphors and imagery despite some pointedly crude language, primarily directed at the dancers by men at the club. The language disparity and the multiple perspectives serve to emphasize a larger point: that even in ugliness, loss, and tragedy, there is humanity. Though the killer is unmasked, the takeaway is much more universal—and satisfying—than just finding out whodunit: This is a story about flawed people just doing the best they can to live their lives and find love.

Vulnerable yet steely, this thriller rises above the rest.