This pourquoi tale with a trickster slant, translated from the French, introduces the symbols of the Chinese zodiac. When the Great Emperor of Heaven invites all the animals to visit him before sunrise at the top of Jade Mountain, the rascally rat neglects to wake his friend, the cat, sneaks a ride between the ox’s horns and lands first at the emperor’s feet. The ruler rewards the rat’s cunning with the first year, and continues to grant each successive year to the next one in line, extolling each animal’s virtues in the process. Having missed its turn, the duped cat now considers the rat his enemy. This tall, slim book features Louis’s striking red-and-black linoleum prints, a double-page zodiac wheel and Wang Fei’s elegant calligraphy depicting each zodiac symbol; it is an apt companion to the team’s previous retelling, Legend of the Chinese Dragon (2008). Despite occasionally stiff prose, the story’s unique subject and engaging artwork create an enjoyable resource for celebrating Chinese New Year and may prompt children to invent their own symbols and attributes. (Picture book/folktale. 6-10)
Pub Date: Jan. 1, 2009
ISBN: 978-0-7358-2220-7
Page Count: 48
Publisher: NorthSouth
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2008
BOOK REVIEW
BOOK REVIEW
At ``Step 2'' in the useful ``Step into Reading'' series: an admirably clear, well-balanced presentation that centers on wolves' habits and pack structure. Milton also addresses their endangered status, as well as their place in fantasy, folklore, and the popular imagination. Attractive realistic watercolors on almost every page. Top-notch: concise, but remarkably extensive in its coverage. A real bargain. (Nonfiction/Easy reader. 6-10)
Pub Date: April 1, 1992
ISBN: 0-679-91052-2
Page Count: 48
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1992
BOOK REVIEW
Gooney Bird Greene (with a silent E) is not your average second grader. She arrives in Mrs. Pidgeon’s class announcing: “I’m your new student and I just moved here from China. I want a desk right smack in the middle of the room, because I like to be right smack in the middle of everything.” Everything about her is unusual and mysterious—her clothes, hairstyles, even her lunches. Since the second graders have never met anyone like Gooney Bird, they want to hear more about her. Mrs. Pidgeon has been talking to the class about what makes a good story, so it stands to reason that Gooney will get her chance. She tells a series of stories that explain her name, how she came from China on a flying carpet, how she got diamond earrings at the prince’s palace, and why she was late for school (because she was directing a symphony orchestra). And her stories are “absolutely true.” Actually, they are explainable and mesh precisely with the teacher’s lesson, more important, they are a clever device that exemplify the elements of good storytelling and writing and also demonstrate how everyone can turn everyday events into stories. Savvy teachers should take note and add this to their shelf of “how a story is made” titles. Gooney Bird’s stories are printed in larger type than the narrative and the black-and-white drawings add the right touch of sauciness (only the cover is in color). A hybrid of Harriet, Blossom, and Anastasia, irrepressible Gooney Bird is that rare bird in children’s fiction: one that instantly becomes an amusing and popular favorite. (Fiction. 6-9)
Pub Date: Sept. 1, 2002
ISBN: 0-618-23848-4
Page Count: 96
Publisher: Walter Lorraine/Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
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