A vibrantly presented reminder to stop and appreciate what we have.
Embrace the quiet moments in life while you can.
“Can you tell us the story about the Terrible Rush Era again?” a young hedgehog asks Grandpa. Back in the day, “no one had time to stop for a moment,” Grandpa responds. “In the Rush Era, everyone was always in a terrible rush.” In the accompanying image, a menagerie of animals race along the rugged terrain, leaving garbage and environmental destruction in their wake. Trailing their path of chaos is Quill the hedgehog, who, with a long green grabber, picks up the refuse they leave behind. Finally, Quill falls over with exhaustion after the trash becomes “too much for him to carry,” and he hibernates for the long winter. The forest denizens have a change of heart; they clean up after themselves and reevaluate their constant consumption, hailing Quill as the Forest Keeper. Young readers will see a parallel between the forest community and their own world, where material consumption and “go, go, go” attitudes prevail. While the story treads familiar ground, the illustrations are standouts. Tolman turned photos of the Scottish Highlands into risograph prints and applied mixed-media drawings on top to create the bright blue and pink hues of the landscape. Translated from Dutch, Tolman’s text scans well and would be a great candidate for a gentle read-aloud.
A vibrantly presented reminder to stop and appreciate what we have. (Picture book. 3-7)Pub Date: Aug. 13, 2024
ISBN: 9781646144525
Page Count: 32
Publisher: Levine Querido
Review Posted Online: May 4, 2024
Kirkus Reviews Issue: June 1, 2024
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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