by Marijke McCandless ‧ RELEASE DATE: July 1, 2024
Refreshingly uncomplicated ways to improve relationships with a partner or with oneself.
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McCandless’s self-help guide combines spiritual techniques with nudity and intimacy.
The presence of the terms Naked and Juicy in this book’s title and subtitle, respectively, initially give the work the vibe of a sex manual, and chapter titles such as “Seeking Satisfaction,” “Getting Lucky,” and “Slipping Into Something More Comfortable” don’t dispel this impression. But the author ably goes on to show that there are many aspects of nakedness other than the erotic. Being unclothed, the author writes, also means getting in touch with one’s authentic self, which exists apart from social conditioning. The book offers numerous practices that aim to show readers how to access this self, beginning with counting one’s thoughts and letting each one float away during meditation, as well as physically lifting particularly persistent thoughts up to the sky in one’s palm. Nudity is also characterized as a way to experience reverence; while bathing in a warm pool with other nude people at Harbin Hot Springs in Northern California, McCandless writes, she realized how beautiful all body types were. Shame is often associated with nakedness, but the author offers ways to heal from this self-perception. “Pink light” visualization entails imagining others with a loving glow, including those who’ve done one wrong. The author, who’s a sexual assault survivor, also discusses her reclaiming of the idea of being a “dirty girl” in the context of her erotic relationship with her husband. The book’s latter part deals with couples more specifically but effectively focuses on the emotional and spiritual aspects of their relationships. The book also explores some dark themes, but McCandless maintains a playful attitude throughout most of the book. She has a relatable style that reveals her own vulnerabilities in accounts of her husband’s infidelity and her negative thoughts about her own body. Her practices and techniques are inviting throughout, because they can be done anywhere, take little time, and require few additional materials.
Refreshingly uncomplicated ways to improve relationships with a partner or with oneself.Pub Date: July 1, 2024
ISBN: 9781803415673
Page Count: 304
Publisher: O-Books
Review Posted Online: Jan. 8, 2024
Kirkus Reviews Issue: March 1, 2024
Review Program: Kirkus Indie
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by Matthew McConaughey ‧ RELEASE DATE: Sept. 16, 2025
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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SEEN & HEARD
SEEN & HEARD
by Robert Greene ‧ RELEASE DATE: Nov. 13, 2012
Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should...
Greene (The 33 Strategies of War, 2007, etc.) believes that genius can be learned if we pay attention and reject social conformity.
The author suggests that our emergence as a species with stereoscopic, frontal vision and sophisticated hand-eye coordination gave us an advantage over earlier humans and primates because it allowed us to contemplate a situation and ponder alternatives for action. This, along with the advantages conferred by mirror neurons, which allow us to intuit what others may be thinking, contributed to our ability to learn, pass on inventions to future generations and improve our problem-solving ability. Throughout most of human history, we were hunter-gatherers, and our brains are engineered accordingly. The author has a jaundiced view of our modern technological society, which, he writes, encourages quick, rash judgments. We fail to spend the time needed to develop thorough mastery of a subject. Greene writes that every human is “born unique,” with specific potential that we can develop if we listen to our inner voice. He offers many interesting but tendentious examples to illustrate his theory, including Einstein, Darwin, Mozart and Temple Grandin. In the case of Darwin, Greene ignores the formative intellectual influences that shaped his thought, including the discovery of geological evolution with which he was familiar before his famous voyage. The author uses Grandin's struggle to overcome autistic social handicaps as a model for the necessity for everyone to create a deceptive social mask.
Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should beware of the author's quirky, sometimes misleading brush-stroke characterizations.Pub Date: Nov. 13, 2012
ISBN: 978-0-670-02496-4
Page Count: 320
Publisher: Viking
Review Posted Online: Sept. 12, 2012
Kirkus Reviews Issue: Oct. 1, 2012
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