Overall, an upbeat story inspired by a classic about staying positive and resilient in the face of adversity.
A plucky, disco-loving teen and her moms are met with small-town prejudice upon moving to their new home.
With her dyed orange hair and vibrant, retro wardrobe, high schooler Anne Shirley is used to standing out from the crowd just by being herself. But when Anne, who likes girls and is of Japanese and Welsh descent, moves with her White moms to Greenville, they quickly catch the attention of residents who view the new family as a threat to the town’s conservative values. At school, Anne is the target of openly racist and homophobic comments, while her mom Lucy, the new vice principal at Greenville High, faces intense scrutiny and criticism from parents. Green-haired, artistic Berry is Anne’s only new friend, and though she offers support and encouragement, the constant provocation is almost enough to dull Anne’s shine. When auditions for the school play are announced, Anne sees an opportunity to participate in a Greenville tradition without compromising who she is, but outcry against the chosen play, Peter Pan, in which Anne is cast as the lead, threatens to end the production before it even begins. Anne recounts these first few weeks in Greenville in bright, conversational prose that bursts with personality and frequently veers into enthusiastic tangents. Unfortunately, secondary characters aren’t developed quite as well, particularly Anne’s bullies, who have little substance beneath their casual cruelty.
Overall, an upbeat story inspired by a classic about staying positive and resilient in the face of adversity. (content warning) (Fiction. 13-18)Pub Date: Oct. 4, 2022
ISBN: 978-1-368-07840-5
Page Count: 304
Publisher: Melissa de la Cruz Studio
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
A thrilling, beautifully written page-turner.
A young woman pursues a dangerous quest in late-1800s Egypt in this sequel to What the River Knows (2023).
After Inez Olivera was nearly murdered while assisting with her uncle’s archaeological expedition in Egypt, Tío Ricardo is eager to ship her home to safety in Argentina. But Inez burns with the need to stay and make sure that those who committed crimes against her family are held responsible. Unfortunately, the law precludes Inez, as a young unmarried woman, from accessing her inheritance (needed to fund her quest for justice) without her guardian uncle’s permission. Whitford Hayes, a former British soldier and her tío’s aide-de-camp, proposes marriage, which could solve her problems. But can Inez trust the secretive Whit? More danger and intrigue lurk at every turn in this exciting duology closer, which fully addresses the first entry’s jaw-dropping cliffhanger. The well-paced plot encompasses many fresh, new adventures and betrayals in this reimagined historical setting in which ancient magic abounds and not everyone or everything is what it seems. Even more captivating, however, is the complicated, nuanced love story between Whit and Inez. Their chemistry sizzles, but their relationship is achingly layered with both profound loyalty and deep deception. As their journey unearths new enemies and priceless archaeological finds, the duo must try to trust each other enough to survive.
A thrilling, beautifully written page-turner. (cast of characters, map, timeline) (Historical fantasy. 14-18)Pub Date: Nov. 5, 2024
ISBN: 9781250822994
Page Count: 400
Publisher: Wednesday Books
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
