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LITTLE WONDERS

ANIMAL BABIES AND THEIR FAMILIES

A sentimental, occasionally anthropomorphic title in the Amazing Things Animals Do series, in which 12 animals from around the world, including the Asian elephant, brown bat, red kangaroo, cuckoo, meerkat, and others, are introduced in two or three paragraphs. The focus is on the care of animal parents or family for the young. Captions extend the idea that they function just like human families, such as ``Upside-Down Nursery'' and ``Penguin Daycare.'' There's even a foster family; Baillie (My Cat, 1994, not reviewed, etc.) lovingly details how the cuckoo lays her eggs in the nest of other birds. Caron embellishes the text with soft, fuzzy drawings and tiny full-color photos. The book concludes with a brief table of animal facts and a question-and-answer game. The syrupy tone limits the usefulness of this title, but it does impart a sense of the nurturing that takes place in animal families, which readers will find reassuring. (Nonfiction. 7-9)

Pub Date: Sept. 1, 1995

ISBN: 1-895688-37-X

Page Count: 32

Publisher: Firefly

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1995

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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RED-EYED TREE FROG

Bishop’s spectacular photographs of the tiny red-eyed tree frog defeat an incidental text from Cowley (Singing Down the Rain, 1997, etc.). The frog, only two inches long, is enormous in this title; it appears along with other nocturnal residents of the rain forests of Central America, including the iguana, ant, katydid, caterpillar, and moth. In a final section, Cowley explains how small the frog is and aspects of its life cycle. The main text, however, is an afterthought to dramatic events in the photos, e.g., “But the red-eyed tree frog has been asleep all day. It wakes up hungry. What will it eat? Here is an iguana. Frogs do not eat iguanas.” Accompanying an astonishing photograph of the tree frog leaping away from a boa snake are three lines (“The snake flicks its tongue. It tastes frog in the air. Look out, frog!”) that neither advance nor complement the action. The layout employs pale and deep green pages and typeface, and large jewel-like photographs in which green and red dominate. The combination of such visually sophisticated pages and simplistic captions make this a top-heavy, unsatisfying title. (Picture book. 7-9)

Pub Date: March 1, 1999

ISBN: 0-590-87175-7

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1999

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