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LUBAYA'S QUIET ROAR

This quietly powerful family story encourages children to use both voices and hands to advocate for change.

Activism comes in many forms.

Lubaya prefers sitting quietly to speaking up in class, even when she knows the answer. She’s often picked last for soccer, but she doesn’t mind because before the game ends, Lubaya has wandered off, absorbed in daydreaming. This might be the story of a neurodivergent child, or Lubaya might just be introverted and introspective. She plays well with her brother, Jelani, but even he cannot hold her attention through a video game. One thing Lubaya spends time on, though, is creating artwork on the back sides of her family’s protest signs, saved from a march and bearing messages like “We Are One Earth” and “Peace.” When alarming events air on the TV news, Lubaya’s parents hold her and Jelani close and tell them it’s time to march again, giving Lubaya’s posters a second life. At the march, Lubaya—whose Swahili name means “young lioness” according to a closing note—adds her voice and her artwork to the protest, amplifying the power of the marchers’ messages with her hand-drawn images. Williamson’s textured illustrations, created in oil paint and crayon, feature bright colors and vibrant backgrounds and represent well the visible diversity of people of color, even for members of the same family. (This book was reviewed digitally with 9-by-21-inch double-page spreads viewed at 27.6% of actual size.)

This quietly powerful family story encourages children to use both voices and hands to advocate for change. (Picture book. 4-8)

Pub Date: Oct. 6, 2020

ISBN: 978-0-525-55555-1

Page Count: 32

Publisher: Dial Books

Review Posted Online: July 14, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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DON'T LET THE PIGEON DRIVE THE SLEIGH!

A stocking stuffer par excellence, just right for dishing up with milk and cookies.

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Pigeon finds something better to drive than some old bus.

This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”

A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)

Pub Date: Sept. 5, 2023

ISBN: 9781454952770

Page Count: 40

Publisher: Union Square Kids

Review Posted Online: Sept. 12, 2023

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HOW TO CATCH A GINGERBREAD MAN

From the How To Catch… series

A brisk if bland offering for series fans, but cleverer metafictive romps abound.

The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.

Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.

A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)

Pub Date: Aug. 3, 2021

ISBN: 978-1-7282-0935-7

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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