This quietly powerful family story encourages children to use both voices and hands to advocate for change.
Activism comes in many forms.
Lubaya prefers sitting quietly to speaking up in class, even when she knows the answer. She’s often picked last for soccer, but she doesn’t mind because before the game ends, Lubaya has wandered off, absorbed in daydreaming. This might be the story of a neurodivergent child, or Lubaya might just be introverted and introspective. She plays well with her brother, Jelani, but even he cannot hold her attention through a video game. One thing Lubaya spends time on, though, is creating artwork on the back sides of her family’s protest signs, saved from a march and bearing messages like “We Are One Earth” and “Peace.” When alarming events air on the TV news, Lubaya’s parents hold her and Jelani close and tell them it’s time to march again, giving Lubaya’s posters a second life. At the march, Lubaya—whose Swahili name means “young lioness” according to a closing note—adds her voice and her artwork to the protest, amplifying the power of the marchers’ messages with her hand-drawn images. Williamson’s textured illustrations, created in oil paint and crayon, feature bright colors and vibrant backgrounds and represent well the visible diversity of people of color, even for members of the same family. (This book was reviewed digitally with 9-by-21-inch double-page spreads viewed at 27.6% of actual size.)
This quietly powerful family story encourages children to use both voices and hands to advocate for change. (Picture book. 4-8)Pub Date: Oct. 6, 2020
ISBN: 978-0-525-55555-1
Page Count: 32
Publisher: Dial Books
Review Posted Online: July 14, 2020
Kirkus Reviews Issue: Aug. 1, 2020
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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