A visually and sonically stunning introduction to the importance of appreciating time and the change of seasons throughout...
The passing of the year celebrated round the world through verse and collage.
While many regard Jan. 1 as the first day of the calendar year, in this magnificent collaboration, Singer and Roth show that cultural observances of that new beginning happen each month. Presenting 16 celebrations from over 14 countries, they explore 12 months’ worth of events that mark time’s passage. “From the earth’s movement, / from the moon’s phases, / these clocks and calendars / we create. / Together /… / we / celebrate.” Such remembrances can involve purification rituals, whether “washing the bad away” in April, by cleaning house and starting “the new year right / with a gigantic water fight” in Thailand, or setting “the bad ablaze” in Ecuador, at midnight on Dec. 31, by burning giant effigies representing the “año viejo.” Scots look ahead to the “First Footer” (or visitor); Spaniards try to eat 12 grapes in 12 seconds for good luck—“so each new month will be sweet.” Throughout the collection, which opens like a wall calendar, each of Roth’s intricate collages animates Singer’s verse, bursting with texture in a riot of color. “Happy New Year” in 15 languages precedes extensive notes, a glossary and pronunciation guide, and an impressive list of sources.
A visually and sonically stunning introduction to the importance of appreciating time and the change of seasons throughout the world: a multicultural gem. (Picture book/poetry. 4-12)Pub Date: May 1, 2018
ISBN: 978-1-62014-162-5
Page Count: 48
Publisher: Lee & Low Books
Review Posted Online: March 17, 2018
Kirkus Reviews Issue: April 1, 2018
Lovely illustrations wasted on this misguided project.
The Celebrate the World series spotlights Lunar New Year.
This board book blends expository text and first-person-plural narrative, introducing readers to the holiday. Chau’s distinctive, finely textured watercolor paintings add depth, transitioning smoothly from a grand cityscape to the dining room table, from fantasies of the past to dumplings of the present. The text attempts to provide a broad look at the subject, including other names for the celebration, related cosmology, and historical background, as well as a more-personal discussion of traditions and practices. Yet it’s never clear who the narrator is—while the narrative indicates the existence of some consistent, monolithic group who participates in specific rituals of celebration (“Before the new year celebrations begin, we clean our homes—and ourselves!”), the illustrations depict different people in every image. Indeed, observances of Lunar New Year are as diverse as the people who celebrate it, which neither the text nor the images—all of the people appear to be Asian—fully acknowledges. Also unclear is the book’s intended audience. With large blocks of explication on every spread, it is entirely unappealing for the board-book set, and the format may make it equally unattractive to an older, more appropriate audience. Still, readers may appreciate seeing an important celebration warmly and vibrantly portrayed.
Lovely illustrations wasted on this misguided project. (Board book. 4-8)Pub Date: Dec. 11, 2018
ISBN: 978-1-5344-3303-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Dec. 4, 2018
Kirkus Reviews Issue: Jan. 1, 2019
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
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