A charming entry in the ongoing saga of Tallulah.
Toe shoes are de rigueur for ballerinas, and Tallulah wants them—now!
Tallulah is one determined ballet student. She wanted a tutu and got it. She wanted a starring role in a student performance and almost got it, appearing instead in the corps de ballet. Now it’s toe shoes. Her teacher explains that she can wear them when her feet stop growing. This is not a sufficient deterrent, however. Tallulah sneakily retrieves a pair discarded by an older student and takes them home. Sore feet, sore toes, inability to balance and her little brother’s exasperation after trying to help finally make her realize her teacher’s wisdom. Singer once again wisely presents a quandary faced by many little ballerinas and any other child who is told to postpone immediate gratification. Boiger’s delicate watercolors featuring bright reds and blues winningly capture Tallulah’s loving family, her dramatic if unsuccessful struggle to stand on point and her surety of future success. A double-page-spread depiction of a ballet step, échappé en pointe or demi-pointe, performed respectively by an older girl and by Tallulah, makes an excellent reference point. Little girls in tutus and little girls who dream big will find that Tallulah is a kindred spirit. A glittery cover adds to the appeal.
A charming entry in the ongoing saga of Tallulah. (Picture book. 4-7)Pub Date: March 19, 2013
ISBN: 978-0-547-48223-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: Dec. 25, 2012
Kirkus Reviews Issue: Jan. 15, 2013
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
The snappy text will get toes tapping, but the information it carries is limited.
Dancing is one of the most universal elements of cultures the world over.
In onomatopoeic, rhyming text, Bolling encourages readers to dance in styles including folk dance, classical ballet, breakdancing, and line dancing. Read aloud, the zippy text will engage young children: “Tappity Tap / Fingers Snap,” reads the rhyme on the double-page spread for flamenco; “Jiggity-Jig / Zig-zag-zig” describes Irish step dancing. The ballet pages stereotypically include only children in dresses or tutus, but one of these dancers wears hijab. Overall, children included are racially diverse and vary in gender presentation. Diaz’s illustrations show her background in animated films; her active child dancers generally have the large-eyed sameness of cartoon characters. The endpapers, with shoes and musical instruments, could become a matching game with pages in the book. The dances depicted are described at the end, including kathak from India and kuku from Guinea, West Africa. Unfortunately, these explanations are quite rudimentary. Kathak dancers use their facial expressions extensively in addition to the “movements of their hands and their jingling feet,” as described in the book. Although today kuku is danced at all types of celebrations in several countries, it was once done after fishing, an activity acknowledged in the illustrations but not mentioned in the explanatory text.
The snappy text will get toes tapping, but the information it carries is limited. (Informational picture book. 4-6)Pub Date: March 3, 2020
ISBN: 978-1-63592-142-7
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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